Synopsis
Covers the whole plot, including the ending.
- Difficulty
- Easy
- Pacing
- Fast
- Mood
- Suspenseful, Violent, Mysterious, Desperate
- Read it if
- You enjoy classic creature features, a short and sharp horror story with a clear monster, or Stephen King's earlier, more direct horror works.
- Skip it if
- You prefer deep character studies, complex plots, or horror that relies on psychological dread over overt monster action.
Cycle of the Werewolf Plot Summary
Covers the whole plot, including the ending.
January: The Railwayman's Demise
The story opens in January, amidst a raging blizzard in Tarker Mills, Maine. Arnie Westrum, a fifty-six-year-old railwayman, is plowing snow from the tracks when he is suddenly attacked. The assailant is a massive, hairy creature with glowing red eyes and sharp claws. Arnie tries to fight back, but he is no match for the beast's ferocity. His screams are swallowed by the wind and the blizzard, and he is found the next morning, dismembered and partially devoured. The town's sheriff, George Haller, initially says the attack was by a bear, but the unnatural savagery and the lack of clear animal tracks leave him uneasy. The townspeople are unnerved, but the official explanation holds for a time.
February: The Seamstress's Terror
February brings another full moon and another victim. Stella Randolph, a reclusive seamstress in her late thirties, is found dead in her locked bedroom, her throat torn out. The scene is one of horrific violence, with blood splattered across the walls and furniture. Sheriff Haller is called to the scene, and this time, the evidence is undeniable: a bear did not cause the attack. The sheer brutality and the impossible entry into a locked room suggest something supernatural. The town begins to whisper about a monster, a werewolf, and fear starts to grip Tarker Mills. People begin to lock their doors earlier and avoid going out after dark, especially when the moon is full.
March: The Drunkard's End
In March, the victim is Clyde Corliss, a notorious town drunkard. Driven by a morbid curiosity and a desperate desire for notoriety, Clyde decides to go out during the full moon, challenging the unseen killer. He sits in his car, drinking and yelling taunts into the night. His foolish bravado quickly turns to terror when the werewolf appears, smashing through his car window. Clyde's final moments are filled with screaming as the creature drags him from the vehicle and brutally murders him. His mutilated body is discovered the next morning, reinforcing the town's growing panic. The attacks are no longer isolated incidents but a terrifying pattern, and the people of Tarker Mills realize they are dealing with something truly evil.
April: The Preacher's Plea
April sees Reverend Lester Lowe, the town's minister, take to the pulpit, his sermons becoming increasingly fervent about the 'devil's work' plaguing Tarker Mills. He preaches about the werewolf, calling for the townspeople to unite and hunt down the creature, believing it to be a manifestation of evil. However, his impassioned pleas are largely ignored by the fearful and skeptical congregation. Many prefer to believe in a deranged human killer or a wild animal, unwilling to accept the supernatural truth. The Reverend's frustration grows as the town remains paralyzed by fear and inaction, leaving him feeling isolated in his understanding of the threat.
May: The Lover's Leap
May brings a tragic attack on a young couple, Stella and Bob, who are parked in a secluded spot. The werewolf ambushes them, tearing through the car. Bob is killed instantly, while Stella is severely wounded but manages to survive, though she is left in a state of shock and unable to provide a clear description of her attacker. This incident further escalates the town's terror, as the monster is now attacking indiscriminately, even targeting those seeking moments of intimacy. Sheriff Haller feels increasingly helpless, as his traditional law enforcement methods are useless against such a foe. The town is now a pressure cooker of fear and suspicion.
June: Marty Coslaw's Revelation
June is the turning point for Marty Coslaw, an eleven-year-old boy confined to a wheelchair. His uncle, Al, gives him fireworks for the Fourth of July. During the full moon, Marty sneaks out to set off some firecrackers, despite his disability. He is caught off guard by the werewolf, which lunges at him. In a moment of sheer terror and quick thinking, Marty shoves a string of firecrackers into the creature's eye, causing it to shriek and flee. As the werewolf retreats, Marty sees a human eye behind the damaged one, and a gold cross around its neck. This brief, horrifying encounter reveals the werewolf's true, human identity to Marty, who is now the only one who knows the truth.
July: The Hunt for the Werewolf
In July, Marty, still recovering from his encounter, begins his own investigation. He realizes the werewolf must be someone in Tarker Mills. Remembering the gold cross, he starts observing people, looking for someone with an injured eye and a specific piece of jewelry. He decides to send anonymous letters to the potential werewolf, hoping to provoke a reaction. His letters are simple but direct, hinting that he knows who the creature is. Marty's plan is to force the werewolf into revealing itself or, at the very least, to confirm his suspicions, all while keeping his own identity a secret to avoid becoming a direct target.
August: The Werewolf's Fury
August confirms Marty's suspicions: Reverend Lester Lowe is the werewolf. The Reverend receives Marty's anonymous letters, which initially confuse and then enrage him. The letters, which mention the 'one eye' and the 'cross,' slowly chip away at his sanity. He knows that someone in town has seen him in his monstrous form and survived. The Reverend's internal struggle intensifies, as he battles with the monstrous impulses of the werewolf and the facade of his human identity. He becomes increasingly paranoid and violent, both in his human form and, more lethally, as the beast, leading to more attacks as he tries to silence the person who knows his secret.
September: The Final Confrontation Preparations
September sees Marty preparing for the final confrontation. He understands that the werewolf can only be killed by silver. He enlists the help of his uncle, Al, who, though skeptical about the werewolf, agrees to melt down a silver locket into bullets for Marty's .22 rifle, believing it's for a hunting trip. Marty, however, has a much more dangerous target in mind. He meticulously cleans and loads his rifle, knowing that the next full moon will be his last chance to end the terror plaguing Tarker Mills. He feels the weight of the town's fate resting on his young shoulders.
October: The Werewolf's Last Stand
The climax arrives in October. Marty waits in his room, rifle loaded with the silver bullets. Reverend Lowe, having finally deduced Marty's identity through the letters and the missing eye, transforms and makes his way to the Coslaw house. The werewolf bursts into Marty's room, ready to silence him. However, Marty, despite his fear, stands his ground. He fires the silver bullet, striking the werewolf in the good eye. The creature howls in pain, reverts to human form, and dies as Reverend Lowe. The terror in Tarker Mills finally ends, though the townspeople never truly understand what happened, only that the killings have stopped.
Cycle of the Werewolf Characters
Marty Coslaw
Protagonist
A disabled boy who discovers the werewolf's identity and ultimately defeats it.
Marty is an eleven-year-old boy confined to a wheelchair. Despite his physical limitations, he possesses remarkable bravery, intelligence, and a keen sense of observation. He is initially a typical kid, but his encounter with the werewolf transforms him into a determined investigator and the town's unlikely savior. He feels a strong sense of responsibility to protect his town, even when no one else believes him. His disability, rather than hindering him, sharpens his other senses and his resolve.
Relationships: Uncle Al (Supportive guardian, though initially skeptical of Marty's claims.); Reverend Lester Lowe (Antagonist, the werewolf Marty hunts.)
Reverend Lester Lowe
Antagonist
The seemingly pious town minister who secretly transforms into the werewolf.
Reverend Lowe is a respected, if somewhat dogmatic, figure in Tarker Mills. He preaches fiery sermons about good and evil, but beneath his clerical facade lies a terrifying secret: he is the werewolf. His transformation is a curse he struggles with, leading to immense internal conflict and a desperate attempt to maintain his human identity and sanity. He is driven by a monstrous hunger during the full moon and by a growing paranoia when confronted by Marty's letters.
Relationships: Marty Coslaw (His unsuspecting victim who becomes his nemesis.); Townspeople (His congregation, whom he unknowingly terrorizes.)
Sheriff George Haller
Supporting
The town sheriff who struggles to explain and stop the killings.
Sheriff Haller is a dedicated but ultimately outmatched law enforcement officer. He tries to apply logical explanations to the gruesome murders, initially attributing them to bears or human serial killers. As the attacks become more bizarre and unexplainable, he grows increasingly frustrated and helpless, unable to comprehend or combat the supernatural threat. He represents the town's collective denial and inability to grasp the true nature of the evil among them.
Relationships: Townspeople (He is tasked with protecting them, but fails to understand the threat.)
Uncle Al
Supporting
Marty's uncle who unwittingly helps him prepare for the final confrontation.
Uncle Al is Marty's loving and supportive uncle. He provides Marty with fireworks and later, unknowingly, helps him by melting silver into bullets for his rifle. He is a pragmatic and caring figure, but like most of the town, he remains oblivious to the true nature of the werewolf and Marty's heroic intentions. His belief that Marty is preparing for a hunting trip allows Marty to acquire the necessary weapon for his mission, highlighting the contrast between adult skepticism and childlike intuition.
Relationships: Marty Coslaw (Marty's guardian and unwitting accomplice.)
Arnie Westrum
Mentioned
The first victim of the werewolf.
Arnie Westrum is a fifty-six-year-old railwayman and the first victim of the werewolf in January. His brutal death sets the stage for the escalating terror in Tarker Mills. His dismembered body, found in the snow, initially leads to speculation about a bear attack, but the unnatural savagery hints at something far more sinister.
Stella Randolph
Mentioned
The second victim of the werewolf.
Stella Randolph is a reclusive seamstress who becomes the werewolf's second victim in February. Her death, in a locked room, makes it clear that the town is dealing with something beyond a normal animal or human killer, intensifying the fear in Tarker Mills.
Clyde Corliss
Mentioned
A drunkard who foolishly provokes and is killed by the werewolf.
Clyde Corliss is a local drunkard who, driven by a misguided sense of bravado, taunts the werewolf during the March full moon. His gruesome death serves as a chilling warning to the town about the creature's power and indiscriminate violence. His fate underscores the futility of challenging the beast without proper knowledge or means.
Cycle of the Werewolf Themes
The Nature of Evil
The novel explores the idea that evil can reside in unexpected places, even within seemingly respectable figures like a town minister. The werewolf, as a physical manifestation of this evil, highlights the duality of human nature and the thin veneer of civilization. The town's reluctance to acknowledge the supernatural nature of the killings, preferring to rationalize them as animal attacks or human violence, speaks to humanity's struggle to confront the truly monstrous. Reverend Lowe's internal battle, though briefly glimpsed, shows the torment of harboring such a dark secret.
“For snarls that sound like human words can be heard whining through the wind. And all around are the footprints of a monster whose hunger cannot be sated...”
Innocence vs. Experience
Marty Coslaw, a young, disabled boy, is innocent, yet he is the only one who truly grasps the horrific reality of the werewolf. His youthful perspective, unburdened by adult skepticism or the need for rational explanations, allows him to see the truth. The adults, including Sheriff Haller and the townspeople, are blinded by their experience and conventional thinking, making them unable to effectively combat the threat. Marty's journey from a fearful witness to a determined hero shows that sometimes, the purest hearts are best equipped to face the darkest evils.
“He knew it for what it was: a werewolf. He was only eleven, but he wasn't stupid.”
Community and Isolation
Tarker Mills is an isolated town, both geographically and psychologically. The fear of the werewolf drives the community further into isolation, as people lock themselves in their homes and grow suspicious of one another. Despite the shared terror, there is no collective action or support, only individual fear. Marty, in his wheelchair, is physically isolated, yet he is the one who tries to connect with the town by sending his letters. The town's inability to unite against the common enemy prolongs their suffering and highlights the destructive power of fear and denial on a community.
“The town was a pressure-cooker, and the only thing keeping it from blowing was the hope that the thing would eventually go away.”
The Power of Belief
The novel subtly explores the power of belief, or lack thereof. The townspeople's disbelief in the supernatural prevents them from identifying or confronting the werewolf, leading to more deaths. Sheriff Haller's insistence on rational explanations hinders his investigation. Conversely, Marty's belief in the werewolf's existence, once he witnesses it, empowers him to act. His belief in the specific weakness of a werewolf (silver) allows him to successfully defeat the creature, where adult skepticism would have failed. This theme suggests that sometimes, understanding and confronting a threat requires a leap of faith beyond the purely logical.
“He knew it had to be silver. He just knew.”
Plot Devices & Literary Techniques
Episodic Structure (Monthly Chapters)
Each chapter represents a month, detailing a new werewolf attack.
The story is structured into twelve monthly chapters, each corresponding to a full moon and usually featuring a new victim. This episodic format effectively builds suspense and demonstrates the relentless, cyclical nature of the werewolf's attacks. It creates a sense of dread and inevitability, as readers anticipate the next full moon and its accompanying horror. This structure also allows for a gradual escalation of terror and the slow realization by the townspeople that they are facing a supernatural threat, mirroring the 'cycle' in the title.
First-Person Limited (Marty's Perspective)
The story primarily focuses on Marty Coslaw's point of view once he discovers the werewolf's identity.
While the initial chapters offer glimpses into various townspeople's perspectives, the narrative increasingly centers on Marty Coslaw after his encounter with the werewolf. This shift in perspective is crucial because Marty is the only character who truly understands the nature of the threat. His limited, yet accurate, view allows the reader to experience his fear, determination, and ingenuity. It also highlights the isolation of his knowledge and the adult world's inability to see what a child can, making his eventual triumph more impactful.
The Unreliable Narrator (Town's Denial)
The collective narrative of Tarker Mills is initially unreliable due to its denial of the supernatural.
Initially, the town's collective narrative and Sheriff Haller's explanations attempt to rationalize the werewolf attacks as bear attacks or human serial killings. This creates an unreliable 'truth' for the reader, as the official story clashes with the horrific reality. This device builds suspense and emphasizes the theme of denial. It also serves to highlight Marty's unique insight, as he alone pierces through the town's self-deception to uncover the true nature of the evil.
Symbolism of the Wheelchair
Marty's wheelchair symbolizes his vulnerability and also his unique perspective.
Marty's wheelchair serves as a powerful symbol. On one hand, it represents his physical vulnerability, making his confrontation with the werewolf seem even more daunting. On the other hand, it forces him to observe the world differently, perhaps with a heightened awareness that able-bodied people lack. His physical limitation ironically becomes a catalyst for his heroism, as he is often underestimated and can move unnoticed, allowing him to gather crucial information and ultimately face the monster.
Cycle of the Werewolf Quotes
“The fog was a shroud, and it clung to the town like a hungry beast.”
“It was the kind of night where the wind seemed to whisper secrets and the shadows danced with a life of their own.”
“The full moon was a huge, malevolent eye staring down at Tarker's Mills.”
“There were things in the woods that were not supposed to be there, things that walked on two legs sometimes, and on four at others.”
“Even in a small town, there were dark corners where terrible things could breed.”
“Fear was a cold hand gripping the heart of Tarker's Mills, squeezing tighter with each passing night.”
“He knew, with a certainty that chilled him to the bone, that he had seen the devil.”
“The beast was not just a creature of legend, but a living, breathing nightmare.”
“Sometimes, the most ordinary people could hide the most monstrous secrets.”
“The world was full of monsters, some with fur and claws, and some with human faces.”
“There was a fine line between courage and foolishness, and he felt himself walking it.”
“The moon was a witness, silent and indifferent, to the horrors it brought forth.”
“Revenge was a cold dish, but sometimes it was the only thing that could warm a frozen heart.”
“The sounds of the night were different now, sharper, more menacing, as if the world itself held its breath.”
“He knew that some nights, even in the safety of his own bed, the shadow of the beast would still cling to him.”
Quiz
10 questions on the plot and the characters. Each answer comes with a short explanation.
Question 1
Which character is the first victim of the werewolf in Tarker's Mills?
- Stella Randolph
- Arnie Westrum
- Milt Sturmfuller
- Brady Kincaid
Show answer
B. Arnie Westrum Arnie Westrum, the railwayman, is explicitly described as the first victim, attacked in the snow.
Question 2
What is Marty Coslaw's physical disability?
- He is blind
- He is deaf
- He uses a wheelchair
- He has a prosthetic leg
Show answer
C. He uses a wheelchair Marty Coslaw is depicted as being confined to a wheelchair, which plays a role in his experiences.
Question 3
During which holiday does Marty Coslaw first encounter the werewolf?
- Christmas Eve
- New Year's Eve
- Fourth of July
- Halloween
Show answer
C. Fourth of July Marty encounters the werewolf on the Fourth of July while shooting off fireworks, which he uses to injure the creature.
Question 4
What object does Marty Coslaw use to injure the werewolf?
- A hunting rifle
- A silver knife
- A firework
- A baseball bat
Show answer
C. A firework Marty shoots a firework at the werewolf's eye, causing significant injury.
Question 5
Which character is revealed to be the werewolf?
- Sheriff Haller
- Reverend Lester Lowe
- Brady Kincaid
- Virgil Wetton
Show answer
B. Reverend Lester Lowe Reverend Lester Lowe is eventually unmasked as the werewolf, a twist that shocks the town.
Question 6
What specific detail leads Marty to suspect Reverend Lowe?
- Lowe's unusual nocturnal habits
- Lowe's missing eye, which matches the injury Marty inflicted
- Lowe's strange sermons about a 'beast among them'
- Lowe's sudden move to a remote cabin
Show answer
B. Lowe's missing eye, which matches the injury Marty inflicted Marty notices Reverend Lowe wearing an eyepatch, which confirms his suspicion that Lowe is the werewolf he injured on the Fourth of July.
Question 7
What does Marty Coslaw request for Christmas that is crucial for fighting the werewolf?
- A new wheelchair
- A silver bullet
- A dog for protection
- A book on folklore
Show answer
B. A silver bullet Marty specifically asks his uncle for a silver bullet, knowing it's the only way to kill a werewolf.
Question 8
How does the town of Tarker's Mills initially react to the killings?
- They immediately suspect a supernatural creature
- They organize a town-wide hunt for an animal, then a human killer
- They evacuate the town in fear
- They ignore the deaths, attributing them to accidents
Show answer
B. They organize a town-wide hunt for an animal, then a human killer Initially, the townspeople believe the killings are by an animal, then a human murderer, before the supernatural truth becomes undeniable.
Question 9
What is the primary theme explored through the character of Reverend Lowe?
- The power of community
- The hidden darkness within seemingly respectable individuals
- The resilience of the human spirit
- The triumph of good over evil
Show answer
B. The hidden darkness within seemingly respectable individuals Reverend Lowe's identity as the werewolf highlights the theme that evil can lurk beneath a facade of piety and respectability.
Question 10
What is the significance of the monthly cycle in the book's title and plot?
- It represents the changing seasons in Maine
- It dictates when the werewolf transforms and hunts, aligning with the full moon
- It tracks the number of victims over a year
- It refers to the town's recurring festivals
Show answer
B. It dictates when the werewolf transforms and hunts, aligning with the full moon The 'Cycle of the Werewolf' directly refers to the monthly lunar cycle, specifically the full moon, which triggers the werewolf's transformations and killings.
Cycle of the Werewolf FAQ
What is the central premise of 'Cycle of the Werewolf'?
The book chronicles a year of terror in the isolated town of Tarker's Mills, Maine, where a werewolf preys on residents during each full moon. The narrative unfolds month by month, detailing the monster's gruesome attacks and the town's escalating fear and attempts to identify the killer.
Who is Marty Coslaw and what is his significance to the plot?
Marty Coslaw is a young, wheelchair-bound boy who becomes pivotal when he confronts the werewolf on the Fourth of July. Using fireworks, he manages to injure the creature, specifically blinding it in one eye, which allows him to later identify the werewolf's human alter ego.
Which specific character is revealed to be the werewolf?
The werewolf is revealed to be Reverend Lester Lowe, the town's respected minister. Marty Coslaw discovers his identity after observing Lowe wearing an eyepatch, matching the injury Marty inflicted on the werewolf with a firework.
How does the town of Tarker's Mills initially react to the killings?
Initially, the town struggles to comprehend the nature of the attacks, oscillating between attributing them to a crazed human killer, a wild animal, or a supernatural entity. Fear and paranoia grow, leading to a failed mob hunt for the perceived human killer.
What role does Sheriff Joe Haller play in the story?
Sheriff Joe Haller is the primary law enforcement officer in Tarker's Mills, tasked with investigating the murders. Despite his efforts, he remains largely ineffective against the supernatural threat, unable to identify or stop the werewolf, highlighting the limits of conventional justice against such evil.
Are there any subtle clues about Reverend Lowe's identity before the big reveal?
Yes, subtle clues include his fervent and somewhat manic sermons about sin and damnation, and his intense reaction to the town's growing panic. His internal struggle with his monstrous nature is hinted at through his disproportionate guilt and his almost obsessive attempts to rationalize the evil.
What is the significance of the calendar structure (month by month) in the narrative?
The month-by-month structure emphasizes the cyclical and inescapable nature of the werewolf's curse, mirroring the lunar cycle. It builds suspense by showing the relentless progression of time towards each full moon, highlighting the town's prolonged suffering and the predictable horror.
How does the book connect to classic werewolf lore?
The book adheres to classic werewolf lore by establishing the full moon as the trigger for transformation and silver as the only effective weapon. It also subtly touches on the idea of the werewolf being a cursed individual, struggling with their affliction, though Lowe's acceptance of his 'gift' deviates slightly.
What psychological impact do the attacks have on the general population of Tarker's Mills?
The attacks plunge Tarker's Mills into a state of collective paranoia, fear, and suspicion. Residents become isolated, distrustful of neighbors, and desperate for an explanation or solution, leading to irrational actions like forming a vigilante mob.
How does Marty Coslaw cope with discovering the werewolf's identity?
Marty copes by taking matters into his own hands, driven by a sense of responsibility and self-preservation. He carefully plans to defeat the werewolf, demonstrating remarkable courage and resourcefulness for a child, rather than succumbing to fear or simply informing adults.
Analyze Reverend Lowe's psychological state as the werewolf.
Reverend Lowe exhibits a profound struggle with his dual nature, manifesting as intense guilt and self-loathing, yet also a perverse acceptance or even enjoyment of his power. He rationalizes his monstrous acts as divine punishment or a test, showcasing a deeply disturbed and conflicted psyche.
How does the isolation of Tarker's Mills contribute to the psychological horror?
The isolation of Tarker's Mills amplifies the psychological horror by trapping the residents with their fear and the monster, cutting them off from external help or perspective. This insular environment fosters paranoia and allows the terror to fester unchecked, heightening the sense of inescapable doom.
Is Reverend Lowe truly evil, or a victim of his curse?
This is debatable. While he is cursed, his internal monologues reveal a degree of complicity and even twisted justification for his actions, particularly his enjoyment of the power. He seems to embrace his 'gift' rather than fight it, suggesting a malevolent core beneath the surface of a victim.
What is the broader thematic message about good vs. evil in the book?
The book suggests that evil can lurk in the most unexpected places, even within respected community figures like a minister. It challenges superficial appearances and highlights how easily a community can be blinded by trust, demonstrating the insidious nature of evil when it masquerades as virtue.
How does Marty Coslaw's disability inform his role as the hero?
Marty's disability makes him an unlikely hero, emphasizing that courage and ingenuity are not limited by physical constraints. His unique perspective, often isolated from the adult world's anxieties, allows him to observe details others miss, ultimately leading him to solve the mystery and confront the monster.
Could the werewolf be interpreted as a metaphor for something else in the town?
Yes, the werewolf can be interpreted as a metaphor for the hidden darkness or hypocrisy within the seemingly wholesome community of Tarker's Mills. Reverend Lowe, a figure of moral authority, embodying the monster suggests that the town's 'sins' or suppressed evils are manifesting in a gruesome physical form.
Why does the book end with Marty's victory rather than a more ambiguous resolution?
The definitive ending with Marty's victory provides a sense of closure and triumph over evil, fitting for a horror story that also functions as a coming-of-age narrative for Marty. It reinforces the idea that even the most vulnerable can overcome terrifying odds, offering a clear resolution to the town's year of terror.
About the author
Stephen Edwin King is an American author of horror, supernatural fiction, suspense, crime, science-fiction, and fantasy novels. Described as the "King of Horror", his books have sold more than 350 million copies as of 2006, and many have been adapted into films, television series, miniseries, and comic books. King has published over 65 novels/novellas, including seven under the pen name Richard Bachman, and five non-fiction books. He has also written approximately 200 short stories, most of which have been published in book collections.
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