Estimated read time: 14 min read
Table of Contents
List of Characters
| Character Name | Role |
|---|---|
| Hercule Poirot | Detective/Protagonist |
| Samuel Edward Ratchett | Murder Victim |
| M. Bouc | Director of Wagon Lit |
| Dr. Constantine | Coroner/Physician |
| Mary Debenham | Governess/Suspect |
| Colonel Arbuthnot | British Army Officer/Suspect |
| Princess Dragomiroff | Russian Princess/Suspect |
| Hector MacQueen | Secretary/Suspect |
| Edward Henry Masterman | Valet/Suspect |
| Caroline Hubbard | American Widow/Suspect |
| Greta Ohlsson | Swedish Nurse/Suspect |
| Count Andrenyi | Hungarian Diplomat/Suspect |
| Countess Andrenyi | Wife of Count/Suspect |
| Antonio Foscarelli | Italian Businessman/Suspect |
| Pierre Michel | Conductor/Suspect |
| Hildegarde Schmidt | Princess’s Maid/Suspect |
Role Identification
| Character Name | Primary Function in Plot |
|---|---|
| Hercule Poirot | Solves the murder; drives narrative forward |
| Samuel Edward Ratchett | The murder victim; central to the mystery |
| M. Bouc | Poirot’s ally; assists investigation |
| Dr. Constantine | Offers medical insights; supports Poirot |
| Mary Debenham | Suspect; ties to Armstrong case |
| Colonel Arbuthnot | Suspect; involved in Armstrong case |
| Princess Dragomiroff | Suspect; influential, has Armstrong connection |
| Hector MacQueen | Suspect; secretary to Ratchett |
| Edward Henry Masterman | Suspect; Ratchett’s valet |
| Caroline Hubbard | Suspect; outspoken, claims to have seen the killer |
| Greta Ohlsson | Suspect; nurse to Armstrong family |
| Count Andrenyi | Suspect; protective of wife |
| Countess Andrenyi | Suspect; Armstrong family member |
| Antonio Foscarelli | Suspect; Armstrong family chauffeur |
| Pierre Michel | Suspect; train conductor, daughter involved |
| Hildegarde Schmidt | Suspect; Armstrong family cook |
Character Descriptions
Hercule Poirot
| Trait | Description |
|---|---|
| Nationality | Belgian |
| Occupation | Detective |
| Personality | Methodical, perceptive, logical |
| Appearance | Small, neat, with impressive moustaches |
Samuel Edward Ratchett
| Trait | Description |
|---|---|
| Alias | Cassetti (real name) |
| Occupation | Businessman/Criminal |
| Personality | Nervous, secretive, arrogant |
| Appearance | Middle-aged, American |
M. Bouc
| Trait | Description |
|---|---|
| Nationality | Belgian |
| Occupation | Director of Wagon Lit |
| Personality | Amiable, excitable, trusting |
| Appearance | Portly, dignified |
Dr. Constantine
| Trait | Description |
|---|---|
| Nationality | Greek |
| Occupation | Physician/Coroner |
| Personality | Professional, analytical |
| Appearance | Middle-aged, bearded |
Mary Debenham
| Trait | Description |
|---|---|
| Nationality | British |
| Occupation | Governess |
| Personality | Calm, composed, intelligent |
| Appearance | Young, attractive |
Colonel Arbuthnot
| Trait | Description |
|---|---|
| Nationality | British |
| Occupation | Army Officer |
| Personality | Reserved, honorable, passionate |
| Appearance | Tall, military bearing |
Princess Dragomiroff
| Trait | Description |
|---|---|
| Nationality | Russian |
| Occupation | Princess |
| Personality | Imperious, shrewd, dignified |
| Appearance | Elderly, formidable |
Hector MacQueen
| Trait | Description |
|---|---|
| Nationality | American |
| Occupation | Secretary |
| Personality | Nervous, earnest, emotional |
| Appearance | Young, bespectacled |
Edward Henry Masterman
| Trait | Description |
|---|---|
| Nationality | British |
| Occupation | Valet |
| Personality | Stoic, reserved, loyal |
| Appearance | Middle-aged, proper |
Caroline Hubbard
| Trait | Description |
|---|---|
| Nationality | American |
| Occupation | None |
| Personality | Talkative, dramatic, assertive |
| Appearance | Middle-aged, fashionable |
Greta Ohlsson
| Trait | Description |
|---|---|
| Nationality | Swedish |
| Occupation | Nurse |
| Personality | Timid, kind, emotional |
| Appearance | Middle-aged, plain |
Count Andrenyi
| Trait | Description |
|---|---|
| Nationality | Hungarian |
| Occupation | Diplomat |
| Personality | Protective, dignified |
| Appearance | Handsome, aristocratic |
Countess Andrenyi
| Trait | Description |
|---|---|
| Nationality | Hungarian |
| Occupation | Aristocrat |
| Personality | Intelligent, anxious, gentle |
| Appearance | Young, beautiful |
Antonio Foscarelli
| Trait | Description |
|---|---|
| Nationality | Italian |
| Occupation | Businessman |
| Personality | Jovial, passionate, expressive |
| Appearance | Large, boisterous |
Pierre Michel
| Trait | Description |
|---|---|
| Nationality | French |
| Occupation | Train Conductor |
| Personality | Respectful, dutiful, emotional |
| Appearance | Elderly, uniformed |
Hildegarde Schmidt
| Trait | Description |
|---|---|
| Nationality | German |
| Occupation | Maid |
| Personality | Loyal, maternal, practical |
| Appearance | Large, robust |
Character Traits
| Character Name | Key Traits |
|---|---|
| Hercule Poirot | Intelligent, meticulous, observant, logical, eccentric |
| Samuel Edward Ratchett | Secretive, anxious, overbearing, manipulative |
| M. Bouc | Amiable, excitable, deferential, curious |
| Dr. Constantine | Analytical, objective, supportive |
| Mary Debenham | Composed, intelligent, secretive, strong-willed |
| Colonel Arbuthnot | Stoic, honorable, passionate, protective |
| Princess Dragomiroff | Dominant, shrewd, aristocratic, loyal |
| Hector MacQueen | Nervous, emotional, earnest, loyal |
| Edward Masterman | Stoic, dutiful, reserved, loyal |
| Caroline Hubbard | Dramatic, talkative, assertive, cunning |
| Greta Ohlsson | Kind, nervous, compassionate, emotional |
| Count Andrenyi | Passionate, protective, honorable |
| Countess Andrenyi | Intelligent, anxious, sensitive, gentle |
| Antonio Foscarelli | Outgoing, passionate, expressive, warm-hearted |
| Pierre Michel | Dutiful, respectful, emotional, vulnerable |
| Hildegarde Schmidt | Loyal, practical, motherly, straightforward |
Character Backgrounds
| Character Name | Background Summary |
|---|---|
| Hercule Poirot | Former Belgian police officer, renowned private detective, known for his logical reasoning and attention to detail. |
| Samuel Edward Ratchett | Real name Cassetti; infamous gangster responsible for the kidnapping and murder of Daisy Armstrong. |
| M. Bouc | Belgian director of Wagon Lit, old acquaintance of Poirot, involved in train operations. |
| Dr. Constantine | Greek physician on the train, assists in post-mortem and provides forensic insight. |
| Mary Debenham | Former governess to Daisy Armstrong, deeply affected by the tragedy, in love with Colonel Arbuthnot. |
| Colonel Arbuthnot | British Army officer, friend to Armstrong family, romantically linked to Mary Debenham. |
| Princess Dragomiroff | Russian aristocrat, close friend of Sonia Armstrong (Daisy’s mother), wields significant influence. |
| Hector MacQueen | Ratchett’s secretary, father was Armstrong family lawyer, seeks justice for Daisy. |
| Edward Masterman | Ratchett’s valet, was Colonel Armstrong’s batman in the war, loyal to Armstrong family. |
| Caroline Hubbard | Real name Linda Arden, Daisy’s grandmother, famed actress, orchestrates the revenge. |
| Greta Ohlsson | Swedish nurse, cared for Daisy Armstrong, emotionally scarred by her death. |
| Count Andrenyi | Hungarian diplomat, married to Countess, fiercely protective of her. |
| Countess Andrenyi | Real name Helena Goldenberg, Daisy’s aunt, emotionally affected by the tragedy. |
| Antonio Foscarelli | Italian car salesman, Armstrong family chauffeur, loyal to Armstrongs. |
| Pierre Michel | French conductor, daughter was Armstrong family’s nursemaid, whose suicide was caused by Cassetti. |
| Hildegarde Schmidt | German maid to Princess Dragomiroff, former Armstrong family cook. |
Character Arcs
Hercule Poirot
Poirot's arc in the novel centers on his moral struggle. He uncovers the truth behind Ratchett's murder, realizing it is both a crime and an act of collective justice. Poirot is forced to choose between strict adherence to the law and empathy for the murderers, given their motivation. He ultimately presents two solutions, allowing the conspirators to escape legal consequence and showing his capacity for compassion.
Samuel Edward Ratchett (Cassetti)
Ratchett’s arc is revealed posthumously. Once a powerful criminal, he is exposed as the notorious child-killer Cassetti. His attempt to escape justice leads to his murder, which is a collective act of revenge by those affected by his crime. He represents the theme of justice versus retribution.
M. Bouc
Bouc transitions from skepticism to trust in Poirot’s abilities. He struggles with the shocking revelation that all suspects are complicit. By the end, he accepts Poirot’s moral reasoning and supports the decision to conceal the true solution.
Mary Debenham
Mary’s arc involves concealing her involvement in the murder while maintaining composure under Poirot’s scrutiny. Her relationship with Arbuthnot provides emotional grounding. She ultimately reveals her depth of feeling for Daisy and her willingness to act for justice.
Colonel Arbuthnot
Arbuthnot’s arc mirrors Mary’s. He is protective of her and the conspiracy. He faces suspicion but maintains his honor and loyalty to the Armstrong family. His moral struggle is evident, yet he remains steadfast in the group’s quest for retribution.
Princess Dragomiroff
Dragomiroff appears cold and dignified, but her past connection to the Armstrongs drives her participation. Her arc reveals a willingness to set aside her aristocratic status for justice. She emerges as a strong, determined figure.
Hector MacQueen
MacQueen’s arc is defined by his desire for justice for the Armstrong family, especially due to his father’s involvement. Initially nervous and emotional, he finds closure through the group’s actions.
Edward Masterman
Masterman moves from reserved servant to an avenger for the Armstrongs. He maintains his stoic demeanor but reveals his deep-seated loyalty and grief.
Caroline Hubbard (Linda Arden)
Hubbard’s arc is the most transformative. She begins as a seemingly frivolous American widow but is revealed as the mastermind, Daisy’s grandmother, and a famed actress. Her orchestration of the murder demonstrates her complexity and commitment to justice for her family.
Greta Ohlsson
Ohlsson appears timid but is driven by affection for Daisy. Her arc is about overcoming fear to participate in the crime and finding emotional resolution.
Count and Countess Andrenyi
Count Andrenyi is initially protective, attempting to shield his wife from suspicion. The Countess, as Daisy’s aunt, is deeply affected by the tragedy. Their arcs develop as their love and loyalty lead them to join the conspiracy.
Antonio Foscarelli
Foscarelli’s arc is one of loyalty. He supports the Armstrongs and channels his passion into the murder plot, seeking closure for the family he served.
Pierre Michel
Michel’s arc is tragic. He is a grieving father whose daughter was falsely accused and committed suicide due to Cassetti. His participation is motivated by personal loss and a desire for justice.
Hildegarde Schmidt
Schmidt is loyal to the Armstrongs, motivated by maternal affection. Her arc is one of quiet strength, participating out of love and loyalty.
Relationships
| Character 1 | Character 2 | Relationship Type | Description |
|---|---|---|---|
| Poirot | M. Bouc | Professional, friendship | Bouc trusts Poirot’s judgment |
| Poirot | Dr. Constantine | Professional | Constantine assists Poirot medically |
| Poirot | All suspects | Investigator/suspect | Interrogates, analyzes each suspect |
| Mary Debenham | Arbuthnot | Romantic, partners | In love, co-conspirators |
| Princess Dragomiroff | Countess Andrenyi | Family friends | Close due to Armstrong connection |
| Caroline Hubbard | All conspirators | Leader | Orchestrates, unites the group |
| Hector MacQueen | Masterman | Co-conspirators | Share Armstrong loyalty |
| Greta Ohlsson | Armstrong family | Emotional attachment | Loved and cared for Daisy |
| Pierre Michel | Armstrong family | Grief, loyalty | Daughter’s fate tied to Armstrong tragedy |
| Count Andrenyi | Countess Andrenyi | Married | Protective, devoted couple |
| Hildegarde Schmidt | Princess Dragomiroff | Employer-employee | Deeply loyal |
| Antonio Foscarelli | Armstrong family | Employer-employee | Loyal, supportive |
In-Depth Character Analysis
Hercule Poirot
Poirot is the embodiment of rational thought and deductive reasoning. His methods rely on careful observation, logical analysis, and understanding human psychology. Poirot’s distinctive personality—his meticulousness, attention to detail, and eccentricities—sets him apart as a detective. Throughout the investigation, Poirot maintains objectivity but shows empathy for the suspects, especially once the Armstrong connection is revealed. The climax of his arc is the moral choice he faces: expose the truth or allow the conspirators to evade justice. Poirot’s ultimate decision highlights his belief in a higher sense of justice beyond the letter of the law.
Samuel Edward Ratchett (Cassetti)
Though murdered early, Ratchett’s presence lingers. As Cassetti, he is a symbol of evil and injustice, having escaped legal punishment for his crime. His fear and paranoia on the train reflect his awareness of the vengeance he has provoked. Ratchett’s role is to catalyze the moral dilemma faced by Poirot and the conspirators.
Mary Debenham
Mary’s character is marked by intelligence, self-control, and loyalty. She is able to maintain composure under pressure and is integral to the conspiracy. Her romantic involvement with Arbuthnot adds emotional depth and motivation. Mary’s actions stem from a profound sense of justice and personal loss, showing her willingness to go to great lengths for those she loves.
Colonel Arbuthnot
Arbuthnot’s traits—honor, loyalty, and a sense of duty—define his actions. His military background reinforces his discipline and resolve. Arbuthnot’s relationship with Mary is a source of emotional vulnerability. His participation in the murder is an act of loyalty to the Armstrong family and to Mary.
Princess Dragomiroff
Dragomiroff is formidable and influential. Her aristocratic bearing masks a deep loyalty to the Armstrongs. She is unflinching in her participation, demonstrating both determination and pragmatism. Dragomiroff represents the old-world values of honor and retribution.
Caroline Hubbard (Linda Arden)
Hubbard is the emotional and organizational center of the conspiracy. Her transformation from a flamboyant widow to the mastermind behind the murder is a testament to her intelligence and acting prowess. As Daisy’s grandmother, she is driven by grief and a desire for justice. Hubbard’s leadership and ability to unite the group are crucial to the plot’s success.
Hector MacQueen
MacQueen’s nervousness belies his strong emotional drive. The murder provides him with a sense of closure for the Armstrong family’s tragedy. MacQueen’s loyalty and eagerness to right the wrongs done to those he cares about are evident throughout.
Edward Masterman
Masterman’s stoicism is a façade for his deep loyalty and grief. His reserved nature is typical of a servant, but his actions reveal a strong sense of duty to the Armstrong family.
Greta Ohlsson
Ohlsson is defined by her compassion and emotional vulnerability. Caring for Daisy left a lasting impact, motivating her involvement in the murder. Ohlsson’s arc demonstrates the power of love and loss.
Count and Countess Andrenyi
The Count’s protectiveness and the Countess’s sensitivity add complexity to their characters. The Countess’s relationship to Daisy makes her involvement deeply personal. The Count’s willingness to protect his wife by assuming guilt illustrates their devotion.
Antonio Foscarelli
Foscarelli’s exuberance is tempered by his loyalty to the Armstrongs. His boisterous personality hides a strong sense of justice and empathy.
Pierre Michel
Michel’s grief over his daughter’s fate is the driving force behind his actions. His willingness to participate in the murder reflects his need for closure.
Hildegarde Schmidt
Schmidt’s practicality and maternal instincts influence her actions. Her loyalty to the Armstrongs is unwavering.
Thematic Significance of Character Arcs
The central theme of “Murder on the Orient Express” is justice—both legal and moral. Each character’s arc is shaped by their connection to the Armstrong tragedy and their desire for retribution. The unity of the conspirators is a testament to the impact of injustice and the lengths people will go to achieve what they perceive as right.
Poirot’s moral dilemma underscores the complexity of justice. The characters’ backgrounds and relationships intertwine to form a collective response to evil, challenging the boundaries of law and ethics.
Group Dynamics and Interpersonal Relationships
The conspirators form a surrogate family bound by shared grief. Their roles on the train mirror their positions in the Armstrong household, reinforcing themes of loyalty and solidarity.
| Conspirator | Armstrong Role | Train Role |
|---|---|---|
| Mary Debenham | Governess | Governess |
| Colonel Arbuthnot | Friend | Army officer |
| Princess Dragomiroff | Family friend | Princess |
| Hubbard/Arden | Grandmother | American widow |
| Greta Ohlsson | Nurse | Swedish nurse |
| Countess Andrenyi | Aunt | Countess |
| Masterman | Valet | Valet |
| Foscarelli | Chauffeur | Businessman |
| Michel | Nursemaid’s father | Conductor |
| Schmidt | Cook | Maid |
Their cooperation and mutual protection throughout Poirot’s investigation highlight their unity and determination.
Conclusion
The characters in “Murder on the Orient Express” are masterfully constructed, each with distinct backgrounds, motivations, and arcs. Their relationships form the backbone of the narrative, driving both the plot and its underlying themes of justice, loyalty, and moral ambiguity. Christie’s nuanced portrayal of each suspect, combined with Poirot’s unique perspective, creates a complex tapestry of human emotion and ethical complexity, ensuring the novel’s enduring appeal and literary significance.

