Estimated read time: 10 min read
One Sentence Summary
A reclusive writer becomes entangled in a complex web of love, jealousy, and betrayal that challenges his perceptions of art and reality.
Table of Contents
Introduction
Imagine a love triangle so labyrinthine and a mind so tormented that even Shakespeare would do a double take. Welcome to The Black Prince by Iris Murdoch—a dazzling, darkly comic, and deeply philosophical novel that takes readers on a rollercoaster ride through obsession, art, and the ever-tricky business of desire. First published in 1973, this Booker Prize-nominated work is a glittering jewel in Murdoch’s literary crown. Its blend of psychological drama, metafictional playfulness, and Shakespearean allusion makes it a must-read for college students, lecturers, and anyone fascinated by the messy mysteries of the human heart.
Historical Context
Set in early 1970s England, The Black Prince is very much a product of its time, yet it feels timeless in its exploration of love and art. The postwar decades in Britain were a period of shifting social norms, sexual liberation, and philosophical questioning. Murdoch, a philosopher-novelist, reflects these anxieties and freedoms in her characters. The literary landscape was also in flux, with postmodernism reshaping the novel’s form—something Murdoch gleefully exploits through metafiction and unreliable narration.
Notably, the book’s title alludes to Edward the Black Prince, a medieval English figure, but Murdoch uses it more as a symbol of mystery and darkness than as a direct historical reference. The novel’s real-life inspirations stem from Murdoch’s own immersion in philosophy, psychoanalysis, and her admiration for Shakespeare, especially Hamlet.
Brief Synopsis
Plot Overview
At its surface, The Black Prince is the story of Bradley Pearson, a repressed, aging writer who dreams of producing a literary masterpiece but finds himself entangled in a web of relationships that threaten his sanity and his art. Bradley’s world is upended when he falls in love with Julian Baffin, the much younger daughter of his best friend and literary rival, Arnold Baffin. What follows is a tragicomic tale of obsession, betrayal, and the search for meaning, all told through Bradley’s unreliable, feverish perspective—and complicated further by a chorus of “post-scripts” from other characters.
Setting
The novel unfolds in London, with its stuffy flats, literary circles, and rain-soaked streets providing a claustrophobic backdrop. The setting is crucial: the city’s intellectual bustle mirrors Bradley’s own mental chaos, while the closed, almost theatrical domestic spaces heighten the emotional intensity. The time period—early 1970s—is marked by social change and artistic experimentation, echoing the upheavals within the characters’ lives.
Main Characters
| Name | Role | Key Traits | Importance to Plot |
|---|---|---|---|
| Bradley Pearson | Protagonist, narrator | Neurotic, intellectual, repressed, obsessive | Central narrator; his desires drive the narrative |
| Arnold Baffin | Friend, rival | Successful, pragmatic, genial, insensitive | Bradley’s foil and rival; catalyst for Bradley’s actions |
| Rachel Baffin | Arnold's wife | Passionate, unstable, resentful | Catalyst for conflict between Bradley and Arnold |
| Julian Baffin | Arnold & Rachel’s daughter | Intelligent, youthful, enigmatic, idealistic | Object of Bradley’s obsession and love |
| Christian Evandale | Bradley's ex-wife | Practical, maternal, critical | Represents Bradley’s failed past relationships |
| Francis Marloe | Bradley’s friend, psychiatrist | Cynical, manipulative, opportunistic | Embodies the voice of psychoanalytic skepticism |
| Priscilla Bunner | Bradley’s sister | Vulnerable, depressive, neglected | Source of guilt and familial responsibility for Bradley |
| Roddy Lumsden | Bradley’s publisher | Slick, opportunistic, self-serving | Represents the literary world’s commercialism |
Plot Summary
Part 1: The Writer’s Block and the Literary Circle
Bradley Pearson, a retired tax inspector and aspiring author, is stuck—creatively, emotionally, and existentially. He longs to write his magnum opus but is stifled by self-doubt and the distractions of his chaotic personal life. Enter Arnold Baffin, his friend and literary rival, who churns out successful novels with ease. Bradley’s envy is palpable, and his sense of inadequacy intensifies during dinners at the Baffin household, where he is both a confidant and an outsider.
Complications soon multiply: Rachel Baffin confides in Bradley about her marital woes, and his fragile sister Priscilla arrives, needing support after a failed marriage. Bradley’s relationships are a tangle of obligations and resentments, fueling both his creative paralysis and his existential angst.
Part 2: The Awakening and Obsession
Everything changes when Bradley is drawn into Julian Baffin’s orbit. Julian, Arnold’s intelligent and attractive daughter, inspires in Bradley a passion both artistic and romantic. Their bond deepens through shared literary interests, particularly Shakespeare’s Hamlet—a motif that runs through the novel and mirrors Bradley’s own indecision and yearning.
Bradley’s feelings for Julian become an obsession, blurring the lines between art and life. He begins to see her as his muse, the key to unlocking his creativity. The intensity of this infatuation is both comic and tragic, as Bradley, nearly 60, tries to court a woman less than half his age, with all the awkwardness and delusion you might expect.
Part 3: The Descent and Crisis
As Bradley’s obsession with Julian grows, so does the chaos around him. Rachel, sensing the attraction between Bradley and her daughter, becomes increasingly unstable. Arnold, oblivious to the emotional storm brewing in his own home, continues to dominate the literary scene, further aggravating Bradley.
The narrative tension reaches its peak as secrets unravel, accusations fly, and Bradley’s grasp on reality weakens. Murdoch masterfully interweaves moments of farce and tragedy, keeping readers guessing: Is Bradley a misunderstood artist, or a self-deluding fool?
Part 4: The Aftermath and Unreliable Narration
The story takes a dramatic turn—one that is best left unspoiled. What can be said is that the consequences of Bradley’s actions are severe and far-reaching, affecting every major character. The novel concludes not with neat answers but with a series of “post-scripts” from other key characters, each offering their own, often contradictory, account of events.
This polyphonic ending forces readers to question everything Bradley has told them. Was his love for Julian real or a projection? Is he a victim, villain, or something in between?
Themes and Motifs
Love and Obsession
At its core, The Black Prince is a meditation on love’s power to inspire and destroy. Bradley’s affair with Julian is both a source of creative renewal and personal ruin. Murdoch explores the thin line between genuine affection and narcissistic obsession, asking whether true love is ever really possible—or just a beautiful illusion.
Art, Truth, and the Unreliable Narrator
Murdoch toys with the idea that art and truth are slippery, subjective things. Bradley’s narrative is self-justifying and riddled with half-truths, forcing readers to sift fact from fantasy. The novel’s post-scripts drive home this point: every character has their own version of reality.
Shakespearean Allusions
The ghost of Hamlet looms large. The play’s themes—procrastination, madness, illicit passion—echo throughout the novel. Like Hamlet, Bradley is paralyzed by indecision, haunted by the specter of greatness, and undone by his own excesses.
The Nature of Evil
Murdoch, a philosopher at heart, weaves in questions about moral responsibility and evil. Are Bradley’s actions the result of fate, weakness, or something darker? The novel refuses easy answers, inviting readers to grapple with moral ambiguity.
Sexuality and Gender
The novel probes the boundaries of sexuality, desire, and gender roles. Julian’s androgynous allure, Rachel’s passionate volatility, and Bradley’s repressed longings all speak to a world in flux—one where traditional roles are being challenged and refashioned.
Table: Major Themes and Their Broader Context
| Theme | Description | Broader Context |
|---|---|---|
| Love & Obsession | Love as inspiration/destruction; obsession’s dangers | Reflects 1970s sexual liberation & anxieties |
| Art & Truth | Subjectivity, unreliable narration | Postmodern literary experimentation |
| Shakespearean Motifs | Parallels with Hamlet, indecision, tragedy | Homage to literary tradition |
| Nature of Evil | Moral ambiguity, personal responsibility | Murdoch’s philosophical investigations |
| Sexuality & Gender | Fluid boundaries, challenging norms | 1970s gender politics, feminist debates |
Literary Techniques and Style
Iris Murdoch is a literary magician, and The Black Prince is one of her most dazzling tricks. Here’s how she pulls it off:
- Unreliable Narration: Bradley’s account is intensely subjective, often defensive, and occasionally delusional. Readers are kept on their toes, never quite sure what to believe.
- Metafiction: The post-scripts from other characters break the fourth wall, undercutting Bradley’s version of events and highlighting the constructed nature of narrative itself.
- Psychological Realism: Murdoch delves deeply into her characters’ minds, exposing their irrational desires, fears, and contradictions.
- Shakespearean Allusion: Frequent references to Hamlet provide both structure and thematic depth, inviting readers to see Bradley as a modern-day Prince of Denmark.
- Irony and Humor: The novel is laced with dark wit and comic set-pieces, balancing its philosophical seriousness with moments of absurdity.
Author's Background
Iris Murdoch (1919-1999) was a British novelist and philosopher whose works blend psychological depth with philosophical inquiry. After studying at Oxford and working for the British government during World War II, she taught philosophy and published over twenty novels, including Under the Net, The Sea, The Sea (which won the Booker Prize), and A Severed Head. Her fiction is renowned for its complex characters, moral ambiguity, and exploration of issues like love, freedom, and evil.
Murdoch’s philosophical background (particularly her engagement with existentialism and Platonism) infuses her novels with intellectual rigor. She was fascinated by the limits of self-knowledge and the dangers of ego, both of which are key concerns in The Black Prince. Her legacy is that of a writer who bridged the worlds of philosophy and fiction, offering readers both emotional resonance and intellectual challenge.
Key Takeaways
- Love can be both transformative and destructive—sometimes at the same time.
- Art and truth are elusive, subjective, and often contradictory pursuits.
- Moral choices are rarely clear-cut; evil can arise from ordinary weaknesses.
- Unreliable narrators force readers to question the very nature of storytelling.
- Literary tradition (Shakespeare, in particular) provides a rich source of meaning and structure for modern life.
Reader's Takeaway
The Black Prince is not just a story—it’s an experience. It will make you laugh, squirm, and ponder the big questions: What is love? What is art? Can we ever really know ourselves or others? Murdoch’s novel is a psychological puzzle and a philosophical provocation, perfect for readers who enjoy books that challenge as much as they entertain. Expect to be dazzled, disturbed, and, above all, moved.
Conclusion
Iris Murdoch’s The Black Prince is a tour de force of modern literature: a novel that combines the psychological acuity of Dostoevsky with the narrative inventiveness of postmodernism, all filtered through a Shakespearean lens. Its exploration of love, art, and the limits of self-knowledge is as relevant today as it was in the 1970s. Whether you’re a student of literature, a philosopher at heart, or simply someone who enjoys a great story, this book offers endless riches.
So, if you’re looking for a novel that will challenge your mind, tug at your heart, and keep you guessing until the very last page, The Black Prince is your next must-read. Dive in—and prepare to lose yourself in the labyrinth.
The Black Prince FAQ
What is 'The Black Prince' by Iris Murdoch about?
'The Black Prince' is a novel centered around Bradley Pearson, a reclusive and aging writer, whose life is upended by love, jealousy, and rivalry. The book explores themes of art, passion, and the complexities of human relationships, unfolding through a narrative that blurs the line between reality and fiction.
Who are the main characters in 'The Black Prince'?
The main characters include Bradley Pearson, the protagonist and narrator; Arnold Baffin, a successful novelist and Bradley's friend and rival; Rachel Baffin, Arnold's wife; Julian Baffin, their daughter; and a cast of friends and family who influence Bradley’s journey.
What are the major themes in 'The Black Prince'?
'The Black Prince' explores themes such as the nature of love and desire, the pursuit of artistic truth, jealousy, the ambiguity of reality, and the moral complexities of human relationships.
Why is the novel called 'The Black Prince'?
The title alludes to both a historical figure, Edward the Black Prince, and the dark, mysterious, and sometimes sinister elements within the protagonist and the narrative. It also references Shakespeare's 'Hamlet', with which the novel shares motifs of tragedy, love, and existential questioning.
Is 'The Black Prince' a difficult book to read?
'The Black Prince' is considered intellectually challenging due to its intricate structure, unreliable narration, and philosophical themes. However, readers who enjoy complex character studies and literary allusions often find it rewarding.
What literary techniques does Iris Murdoch use in 'The Black Prince'?
Murdoch employs metafiction, unreliable narration, and multiple perspectives, including postscript reflections by several characters. The novel is also rich in allusions, particularly to Shakespeare’s 'Hamlet'.
Is 'The Black Prince' suitable for book clubs or classroom discussion?
Yes, the novel's complex characters, ambiguous morality, and philosophical questions make it an excellent choice for in-depth discussion in book clubs or academic settings.
How does 'The Black Prince' relate to Shakespeare’s 'Hamlet'?
'The Black Prince' parallels 'Hamlet' in its exploration of indecision, the nature of truth, and the tragic consequences of passion. Characters and plotlines often reference or echo elements from Shakespeare’s play.
What genre does 'The Black Prince' belong to?
'The Black Prince' is a literary novel that combines elements of psychological drama, romance, and philosophical fiction.





