Fantastic Beasts and Where to Find Them: The Original Screenplay by J.K. Rowling, book cover

Fantastic Beasts and Where to Find Them: The Original Screenplay Summary

by J.K. Rowling

4.24 Goodreads · 122k ratingsFantasy280 pages14-min summary

A misplaced magical case in 1920s New York unleashes a menagerie of wondrous and dangerous creatures, forcing a shy magizoologist to confront dark forces threatening both the wizarding and non-magical worlds.

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Synopsis

Covers the whole plot, including the ending.

In 1926 New York City, eccentric British Magizoologist Newt Scamander arrives for a brief stopover, only for his magically expanded suitcase, teeming with various fantastic beasts, to be accidentally swapped with a No-Maj's (American Muggle) identical case. When several of his creatures escape, Newt finds himself embroiled in a city already on edge due to a mysterious destructive force and rising anti-magic sentiment from the New Salem Philanthropic Society. He teams up with a disgraced ex-Auror, Tina Goldstein, and her Legilimens sister, Queenie, along with the bewildered No-Maj Jacob Kowalski, to recapture his creatures before they cause irreversible damage and expose the wizarding world to the fearful American public. Their quest uncovers a darker plot involving the powerful dark wizard Gellert Grindelwald and a dangerously oppressed Obscurus, threatening to ignite a war between the magical and No-Maj communities.
Difficulty
Easy
Pacing
Fast
Mood
Adventurous, whimsical, mysterious, slightly dark

Fantastic Beasts and Where to Find Them Plot Summary

Covers the whole plot, including the ending.

  1. Arrival in New York and the Errant Niffler

    Newt Scamander, a British Magizoologist, arrives in New York City in 1926. He carries a magically expanded briefcase full of various magical creatures. He intends a brief stopover on his way to Arizona, but his plans quickly go awry. While watching Mary Lou Barebone, a No-Maj (American term for Muggle) who leads the anti-witchcraft group 'The New Salem Philanthropic Society,' a mischievous Niffler escapes from his case. Newt tries to recapture the Niffler, chasing it into a bank vault. There, he accidentally swaps his case with Jacob Kowalski, a No-Maj baker hoping to get a loan for his own bakery. This swap starts a series of events involving Newt and Jacob.

  2. The Introduction of Tina Goldstein and the MACUSA

    While Newt chases the Niffler, Tina Goldstein, a demoted Auror from the Magical Congress of the United States of America (MACUSA), sees him. Tina, witnessing the magical chaos, mistakenly thinks Newt intentionally exposed the magical world to No-Majs. This is a serious violation of American wizarding law, which unlike the British system, enforces strict secrecy. She arrests Newt and takes him to MACUSA headquarters, hoping to get her old job back. However, her superiors, President Seraphina Picquery and Director Percival Graves, dismiss her concerns. They are focused on a more dangerous, destructive magical force terrorizing the city.

  3. Jacob's Encounter with Magic and the Erumpent

    Jacob Kowalski, having accidentally swapped cases with Newt, returns to his apartment. Curious about the strange latches, he opens Newt's magically expanded briefcase, accidentally releasing some of Newt's creatures. One of them is an Erumpent, a large, rhino-like beast that is dangerous when in heat. The Erumpent escapes into the city, causing major damage and attracting Newt and Tina, who must now work together. Newt, understanding the seriousness of the situation, enlists Jacob's reluctant help to recapture his creatures. He promises to remove Jacob's memories once the task is complete, as No-Majs cannot remember the wizarding world.

  4. The Goldstein Sisters and the Obscurus Investigation

    Newt and Jacob go to Tina's apartment, where they meet her sister, Queenie Goldstein, who is a Legilimens. Queenie, charming and empathetic, quickly understands Jacob's situation and likes him. While Newt and Jacob try to round up the escaped creatures, the sisters become more involved. They learn about the growing threat of an Obscurus, a dark force that appears in magically suppressed children. Director Graves, meanwhile, secretly investigates the Obscurus. He believes it is connected to the Barebone family, especially Credence, Mary Lou Barebone's adopted son, whom he manipulates with promises of magical training.

  5. The Execution and Escape

    Because of the increasing magical incidents and fear of exposure, MACUSA arrests Newt and Tina. They are held responsible for the chaos and sentenced to death: Newt for illegal creature possession and endangering the Statute of Secrecy, and Tina for harboring him. They are taken to the MACUSA execution chamber, where they are to be submerged in a memory-wiping potion. However, with Jacob and Queenie's timely help, who create a diversion and use their combined magical and No-Maj cleverness, Newt and Tina escape from MACUSA headquarters. They are determined to clear their names and find the true source of the city's magical destruction.

  6. Credence's Struggle and Graves's Manipulation

    Credence Barebone, a timid and abused young man, is constantly persecuted by his adoptive mother, Mary Lou, for any hint of magic. Director Graves, pretending to help Credence discover his magical abilities, exploits his vulnerability. He promises to teach him magic if Credence helps locate the Obscurus. Graves believes the Obscurus is manifesting in one of Mary Lou's other adopted children. However, as the film goes on, it becomes clear that Credence himself is the Obscurial. He has suppressed his immense magical power for years due to trauma and abuse. His suppressed magic is about to erupt with catastrophic consequences for New York City.

  7. The Revelation of the Obscurial

    Credence Barebone is tragically revealed to be the Obscurial. His years of abuse and suppression of his magical abilities cause the Obscurus to burst forth in a devastating display of uncontrolled power. The Obscurus manifests as a dark, swirling cloud of destructive energy, tearing through the city and causing widespread devastation. This exposes the magical world to the No-Maj population. This event confirms Newt's earlier suspicions about the dark force and its danger. MACUSA, Newt, Tina, Jacob, and Queenie are all drawn into the escalating crisis, realizing the true scale of the threat.

  8. Confronting the Obscurus and Graves

    The rampaging Obscurus, controlled by the distraught Credence, causes immense destruction across New York. Newt, Tina, Jacob, and Queenie, along with MACUSA Aurors, try to contain the creature and calm Credence. During this intense confrontation, Director Percival Graves arrives and reveals his true intentions. He tries to protect Credence, not out of compassion, but because he wants to use the Obscurus's power for his own evil plans. Graves openly defies MACUSA, further showing his sinister agenda and confirming his connection to the dark events plaguing the city. This leads to a direct magical confrontation with the combined forces of MACUSA and the protagonists.

  9. Grindelwald's Unmasking

    In a confrontation, Newt, with help from MACUSA Aurors, overpowers Graves. Newt uses a unique magical creature, a Swooping Evil, to subdue Graves and reveal his true identity. In a shocking revelation, Graves is unmasked as Gellert Grindelwald, one of the most dangerous dark wizards of all time, who had been operating in disguise within MACUSA. Grindelwald's exposure clarifies his manipulation of Credence and his plans to start a war between the magical and No-Maj worlds. His capture is a significant victory for the wizarding community, though it hints at a larger conflict to come.

  10. The Memory Charm and Farewell

    To prevent widespread exposure of the magical world after the Obscurus's destruction and Grindelwald's unmasking, Newt releases his Thunderbird, Frank. Frank disperses a rain-like magical substance over New York City that acts as a mass memory charm, erasing the recent memories of the No-Maj population regarding the magical events. Jacob Kowalski, as a No-Maj, must also have his memories erased, a poignant moment for Newt, Tina, and Queenie, who have grown fond of him. Newt gives Jacob a silver Occamy egg as a parting gift, subtly influencing his future. Newt then says goodbye to Tina, promising to deliver his book in person.

  11. Jacob's New Beginning

    After his memories are erased, Jacob Kowalski returns to his ordinary life, seemingly unaffected by his adventure. However, the silver Occamy egg Newt gave him is made of pure silver. Jacob uses the proceeds from selling the egg to get the loan he needed. He successfully opens his own bakery, specializing in pastries shaped like Newt's fantastic beasts, a subconscious echo of his forgotten magical experiences. Tina and Queenie visit his bakery, and while Jacob doesn't consciously remember them, there's a flicker of recognition, hinting at the lasting, if unremembered, impact of his time with the magical world.

Principal Figures

Newt Scamander

Protagonist

A shy, compassionate British Magizoologist.

Newt Scamander is an eccentric and introverted British wizard with a deep passion for magical creatures. He carries a magically expanded briefcase containing an entire ecosystem for his rescued beasts. Newt is more comfortable with animals than with people and struggles with social interactions, often preferring to observe rather than engage. He is highly moral, fiercely protective of his creatures, and possesses a strong sense of justice, often putting himself in danger to protect both magical beasts and innocent individuals. His quiet demeanor belies a profound understanding of the magical world and a courageous spirit.

Relationships: Tina Goldstein (Romantic interest, partner in adventure); Jacob Kowalski (Friend, No-Maj companion); Queenie Goldstein (Friend); Percival Graves/Grindelwald (Antagonist, ideological opponent)

Tina Goldstein

Protagonist

A demoted Auror seeking to regain her standing.

Porpentina 'Tina' Goldstein is a grounded and determined American witch, a former Auror for MACUSA. She was demoted to a desk job after using magic illegally to protect a No-Maj. Tina is earnest, by-the-book, and initially rigid, but she possesses a strong moral compass and a deep empathy for others. She is initially suspicious of Newt but quickly recognizes his good intentions and becomes a steadfast ally. Tina is fiercely protective of her sister, Queenie, and longs to return to her rightful place as an Auror, driven by a desire to uphold justice and protect the wizarding community.

Relationships: Newt Scamander (Romantic interest, partner in adventure); Queenie Goldstein (Sister, close bond); Jacob Kowalski (Friend); Percival Graves/Grindelwald (Superior, later antagonist)

Jacob Kowalski

Supporting

A kind-hearted No-Maj baker caught in the magical world.

Jacob Kowalski is a good-natured, aspiring No-Maj baker from New York City. He dreams of opening his own bakery but struggles to secure a loan. Jacob is affable, brave, and possesses a surprising resilience when faced with the magical world. Despite the danger and confusion, he adapts remarkably well to the fantastical circumstances, often providing comic relief and a human perspective. He forms a strong bond with Newt, Tina, and Queenie, embodying the innocence and wonder of a No-Maj encountering magic for the first time. His kindness and loyalty make him an invaluable, if temporary, member of the group.

Relationships: Newt Scamander (Friend); Queenie Goldstein (Romantic interest, close bond); Tina Goldstein (Friend)

Queenie Goldstein

Supporting

A free-spirited Legilimens and Tina's younger sister.

Queenie Goldstein is Tina's younger sister and a gifted Legilimens, meaning she can read minds. She works alongside Tina at MACUSA, though her job is less prestigious. Queenie is vivacious, charming, and empathetic, often using her Legilimency to understand and connect with people on a deeper level. She is more accustomed to bending rules than Tina and possesses a strong sense of independence and compassion. Queenie quickly takes a liking to Jacob, seeing beyond his No-Maj status and forming a genuine romantic connection, which challenges the strict laws of the American wizarding world.

Relationships: Jacob Kowalski (Romantic interest, close bond); Tina Goldstein (Sister, close bond); Newt Scamander (Friend)

Percival Graves / Gellert Grindelwald

Antagonist

A powerful Auror secretly a dark wizard.

Percival Graves is initially introduced as the Director of Magical Security for MACUSA and a highly respected Auror. He is powerful, authoritative, and initially appears to be a key figure in protecting the wizarding world. However, his true identity is revealed to be Gellert Grindelwald, a notorious and dangerous dark wizard who has taken Graves's form through Polyjuice Potion or similar magic. As Grindelwald, he is manipulative, charismatic, and utterly ruthless, seeking to expose the magical world and incite a war against No-Majs to establish wizarding dominance. His actions are driven by a fanatical ideology and a desire for power.

Relationships: Credence Barebone (Manipulator, master); Newt Scamander (Opponent); Tina Goldstein (Superior, later opponent)

Credence Barebone

Supporting

A repressed Obscurial tormented by his adoptive mother.

Credence Barebone is a deeply troubled and withdrawn young man, the adopted son of Mary Lou Barebone, the leader of the anti-witchcraft New Salem Philanthropic Society. He is severely abused, physically and emotionally, for any perceived magical tendencies. This constant repression causes him to become an Obscurial, a rare magical child who develops a parasitic dark force called an Obscurus due to suppressed magical abilities. Credence is vulnerable, easily manipulated, and desperate for acceptance, particularly from Percival Graves, who preys on his loneliness and promises him magic. His internal struggle culminates in destructive magical outbursts.

Relationships: Percival Graves/Grindelwald (Manipulator, abuser); Mary Lou Barebone (Adoptive mother, abuser)

Mary Lou Barebone

Antagonist

The fanatical leader of the New Salem Philanthropic Society.

Mary Lou Barebone is the zealous and cruel leader of the New Salem Philanthropic Society, an organization dedicated to exposing and eradicating witches and wizards. She is a rigid, puritanical No-Maj who preaches against magic and demonizes the magical community. Mary Lou is an abusive adoptive mother to Credence, Chastity, and Modesty, subjecting them to severe physical and emotional punishment for any signs of magical activity. Her fanaticism and cruelty directly contribute to Credence's suffering and the eventual manifestation of the Obscurus, making her a catalyst for much of the film's conflict.

Relationships: Credence Barebone (Adoptive mother, abuser)

Seraphina Picquery

Supporting

The stern and formidable President of MACUSA.

Seraphina Picquery is the President of the Magical Congress of the United States of America (MACUSA). She is a formidable and unyielding leader, deeply committed to upholding the Statute of Secrecy and protecting the American wizarding community from exposure. President Picquery maintains a strict demeanor and demands adherence to the law, reflecting the more conservative and secretive nature of the American wizarding world compared to its British counterpart. She is initially dismissive of Tina's concerns but quickly takes charge when the threat of the Obscurus and Grindelwald becomes undeniable, demonstrating her authority and resolve.

Relationships: Tina Goldstein (Subordinate); Percival Graves/Grindelwald (Subordinate, later antagonist)

Themes & Insights

Prejudice and Discrimination

The film explores different forms of prejudice: the No-Maj hatred of magic (shown by Mary Lou Barebone), the wizarding world's fear and discrimination against Obscurials, and the strict separation between magical and No-Maj communities in America. This theme shows how fear of the unknown or different leads to persecution and suffering, especially in Credence's story. The American wizarding laws, which forbid any contact or relationships with No-Majs, also reflect deep-seated prejudice and fear of exposure, contrasting with Newt's more open-minded approach.

“We are not tolerated. We are hidden. And we are told to hide. And to fear.”
Credence Barebone

The Dangers of Repression and Abuse

This theme is most clearly shown through Credence Barebone. His severe physical and emotional abuse by Mary Lou Barebone, combined with the forced suppression of his magical abilities, leads to the devastating manifestation of the Obscurus. The film illustrates the destructive psychological and physical effects of denying one's true nature and enduring long-term trauma. It argues that suppression, rather than control, can lead to uncontrolled and catastrophic outbreaks, both for the individual and for those around them.

“You are a wizard, Credence. I've seen it.”
Percival Graves/Grindelwald (manipulatively)

Compassion for the Marginalized

Newt Scamander embodies this theme through his dedication to rescuing and caring for fantastic beasts, often those others consider dangerous or undesirable. He sees the value and beauty in creatures that are misunderstood or feared. This compassion extends to humans, as he shows empathy for Credence and understanding for Jacob, a No-Maj. The film suggests looking past appearances and societal judgments to find worth and offer kindness to those on the fringes of society, whether they are magical creatures or ostracized individuals.

“There are no strange creatures, only blinkered people.”
Newt Scamander

The Conflict Between Secrecy and Exposure

A central tension in the film is the conflict between maintaining the Statute of Secrecy, especially strictly enforced in the American wizarding world, and the inherent desire for freedom and connection. Grindelwald actively seeks to break the Statute and expose magic to the No-Majs, believing in wizarding supremacy. Conversely, MACUSA is dedicated to absolute secrecy, even to the point of executing those who violate it. Newt, while understanding the need for secrecy, also believes in the right of magical creatures to exist and be protected, often finding himself caught between these extremes.

“We are fighting a war out there, Mr. Scamander! A war that has been raging for centuries! And it is time we came out of the shadows!”
Percival Graves/Grindelwald

Plot Devices & Literary Techniques

Newt's Magical Briefcase

A portal to a portable ecosystem for fantastic beasts.

Newt's magically expanded briefcase serves as a central plot device, containing an entire menagerie of fantastic beasts within a series of diverse habitats. Its accidental swap with Jacob's case drives the initial conflict, leading to the escape of several creatures. The briefcase is also a sanctuary, a place of comfort and study for Newt, and a symbol of his dedication to magizoology. It allows for the introduction of various creatures, each contributing to the plot's challenges and resolutions, and serves as a literal and metaphorical 'world within a world' that Newt carries with him.

The Obscurus

A destructive magical parasite born from repressed magic.

The Obscurus is a dark, parasitic magical force that manifests in young witches or wizards who are forced to suppress their magical abilities due to fear or abuse. It is a highly volatile and destructive entity, capable of immense devastation when unleashed. The search for the Obscurus by Graves, and its eventual manifestation through Credence Barebone, is the primary source of the city-wide destruction and the major magical threat in the film. It serves as a powerful metaphor for the dangers of repression and the tragic consequences of denying one's true nature.

Legilimency

The magical ability to read minds and perceive thoughts.

Legilimency, the magical art of navigating another's mind, is a key ability possessed by Queenie Goldstein. This power allows her to instantly understand people's thoughts, emotions, and intentions, often serving as a tool for exposition, character insight, and comedic relief. It enables her to quickly discern Jacob's true nature and form a bond with him, and to understand the motivations of others. It also highlights the different ways magic can be used for connection and empathy, contrasting with its use for manipulation, as seen with Grindelwald's own powerful Legilimency.

The Statute of Secrecy

The international law separating the magical and No-Maj worlds.

The Statute of Secrecy is the foundational law governing the magical world, dictating that wizards and witches must remain hidden from the No-Maj population. In America, this law is particularly stringent, leading to severe penalties for exposure. It acts as a constant source of tension and conflict, driving many of the characters' actions and fears. Newt's accidental breaches, Tina's demotion, and Grindelwald's explicit goal to shatter it all revolve around this crucial magical law, highlighting the political and social dynamics of the wizarding world in 1920s America.

Quiz

10 questions on the plot and the characters. Each answer comes with a short explanation.

  1. Question 1

    Who is the author of "Fantastic Beasts and Where to Find Them: The Original Screenplay"?

    1. J.K. Rowling
    2. Newt Scamander
    3. A fan of the Harry Potter books
    4. The publisher
    Show answer

    A. J.K. Rowling The text explicitly states that J.K. Rowling is the author and made her screenwriting debut with this work.

  2. Question 2

    What is Newt Scamander's profession?

    1. A wizard
    2. A historian
    3. A Magizoologist
    4. A screenplay writer
    Show answer

    C. A Magizoologist The description mentions Newt Scamander is a Magizoologist.

  3. Question 3

    Where does Newt Scamander intend to make a brief stopover?

    1. London
    2. New York
    3. Hogwarts
    4. Paris
    Show answer

    B. New York The text states, "When Magizoologist Newt Scamander arrives in New York, he intends his stay to be just a brief stopover."

  4. Question 4

    What causes trouble for everyone in the story?

    1. Newt Scamander's case is misplaced and his beasts escape.
    2. A disagreement between Newt and a magical creature.
    3. The screenplay is poorly written.
    4. Newt forgets his wand.
    Show answer

    A. Newt Scamander's case is misplaced and his beasts escape. The summary directly states, "However, when his magical case is misplaced and some of Newt's fantastic beasts escape, it spells trouble for everyone…"

  5. Question 5

    What genre is "Fantastic Beasts and Where to Find Them: The Original Screenplay" categorized as, besides Fantasy and Children's?

    1. Science Fiction
    2. Mystery
    3. Historical Fiction and Young Adult
    4. Romance
    Show answer

    C. Historical Fiction and Young Adult The provided genres are Fantasy, Children's, Historical Fiction, and Young Adult.

  6. Question 6

    This book marks J.K. Rowling's debut in which area of writing?

    1. Novel writing
    2. Children's literature
    3. Screenwriting
    4. Poetry
    Show answer

    C. Screenwriting The text explicitly mentions, "Fantastic Beasts and Where to Find Them marks the screenwriting debut of J.K. Rowling."

  7. Question 7

    What is the primary conflict introduced in the summary of the screenplay?

    1. Newt's struggle to find a new home.
    2. The escape of magical creatures from Newt's case.
    3. A rivalry between Newt and another Magizoologist.
    4. Newt's attempt to publish his book.
    Show answer

    B. The escape of magical creatures from Newt's case. The core problem described is the escape of Newt's fantastic beasts after his case is misplaced.

  8. Question 8

    The story is described as "epic, adventure-packed storytelling at its very best." This suggests the narrative is likely to involve:

    1. Quiet introspection and character study.
    2. Grand scope, exciting events, and a journey.
    3. A slow-paced, dialogue-heavy drama.
    4. A small, contained mystery with a few characters.
    Show answer

    B. Grand scope, exciting events, and a journey. The phrases "epic" and "adventure-packed" strongly imply a story with a large scale, thrilling action, and a sense of journey or quest.

  9. Question 9

    Based on the description, who is the target audience for this screenplay edition?

    1. Only readers completely new to the wizarding world.
    2. Primarily academics studying magical creatures.
    3. Both existing fans of the wizarding world and newcomers.
    4. Only fans of J.K. Rowling's adult novels.
    Show answer

    C. Both existing fans of the wizarding world and newcomers. The text explicitly states, "Whether an existing fan or new to the wizarding world, this is a perfect addition to any reader's bookshelf."

  10. Question 10

    Considering the genres listed and the plot summary, what kind of challenges might Newt Scamander face?

    1. Bureaucratic hurdles in obtaining permits for magical creatures.
    2. Navigating the non-magical world while protecting his creatures and himself.
    3. Dealing with mundane everyday problems like paying rent.
    4. Finding a quiet place to write his memoirs.
    Show answer

    B. Navigating the non-magical world while protecting his creatures and himself. The combination of "Magizoologist," "fantastic beasts escape," and the setting in "New York" implies challenges related to magical creatures interacting with or being discovered by the non-magical society, alongside Newt's efforts to recapture them.

Fantastic Beasts and Where to Find Them FAQ

What is Fantastic Beasts and Where to Find Them: The Original Screenplay about?

The book is the original screenplay for the film of the same name. It follows Magizoologist Newt Scamander's accidental release of magical creatures in 1920s New York and the subsequent chaos and adventure that ensues.

Is this book a novelization or the actual screenplay?

This book contains the original screenplay written by J.K. Rowling, making it the authentic script used for the film, not a novelization.

Who is the author of Fantastic Beasts and Where to Find Them: The Original Screenplay?

The screenplay was written by J.K. Rowling, the acclaimed author of the Harry Potter series.

What is a Magizoologist?

A Magizoologist is someone who studies magical creatures. Newt Scamander, the protagonist of Fantastic Beasts, is a renowned Magizoologist.

What is the time period and setting of Fantastic Beasts and Where to Find Them?

The story is set in New York City in the 1920s, during a time when the magical and non-magical worlds were more separate.

Are the characters in the screenplay the same as in the Harry Potter books?

While the wizarding world is the same, the main characters like Newt Scamander are new to this story. However, it is set in the same universe and shares some historical context with the Harry Potter books.

Is this book suitable for young adults and children?

Yes, the story features adventure, magic, and compelling characters, making it suitable for young adults and children who enjoy fantasy and the wizarding world.

What makes this book different from reading the novel?

Reading the screenplay allows you to experience the story as it was written for the screen, including dialogue, stage directions, and visual cues, offering a unique perspective compared to a novel.

Where does Newt Scamander's journey begin in this story?

Newt Scamander arrives in New York with the intention of a brief stopover, but his plans are disrupted when his magical case is misplaced, leading to the escape of his beasts.

What are 'fantastic beasts'?

Fantastic beasts are magical creatures from J.K. Rowling's wizarding world that Newt Scamander studies and protects. Their presence in the non-magical world causes significant problems.

About the author

J.K. Rowling

J.K. Rowling

Joanne Rowling, best known by her pen name J. K. Rowling, is a British author and philanthropist. She wrote Harry Potter, a seven-volume children's fantasy series published from 1997 to 2007. The series has sold over 600 million copies, been translated into 84 languages, and spawned a global media franchise including films and video games. The Casual Vacancy (2012) was her first novel for adults. She writes Cormoran Strike, an ongoing crime fiction series, under the alias Robert Galbraith.

All 7 summaries of J.K. Rowling's books →

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