Millennium Approaches by Tony Kushner, book cover

Millennium Approaches Summary

by Tony Kushner

4.29 Goodreads · 20k ratingsFantasy119 pages21-min summary

In 1980s New York City, an angel tells a gay man with AIDS that he is a prophet, making him confront his mortality, his identity, and a nation's spiritual crisis.

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Synopsis

Covers the whole plot, including the ending.

In 1985 New York City, Prior Walter, who is gay, has AIDS. His lover, Louis Ironson, struggles with guilt and leaves him. As Prior gets sicker, he has vivid visions and an Angel visits him, calling him a prophet. Meanwhile, Joe Pitt, a closeted gay Mormon lawyer, gets a job offer from the powerful, corrupt, and also closeted Roy Cohn, who is dying of AIDS but denies it. Joe's wife, Harper, addicted to Valium and afraid to leave home, deals with her husband's secret and her own loneliness, experiencing her own strange visions. The play connects these lives, looking at love, betrayal, faith, and politics during the AIDS crisis. It ends with the Angel's dramatic arrival and Prior's hesitant acceptance of his divine role, setting up a confrontation with heaven.
Difficulty
Medium
Pacing
Variable
Mood
Thought-provoking, Poetic, Melancholy, Hopeful, Surreal
Read it if
You're looking for a profound, poetic, and complex exploration of identity, faith, and crisis, with a blend of realism and magical realism.
Skip it if
You prefer straightforward narratives without magical realism, or are sensitive to explicit discussions of illness, sexuality, and political corruption.

Millennium Approaches Plot Summary

Covers the whole plot, including the ending.

  1. A Great Work Commences

    The play starts in a Bronx funeral home in October 1985. Rabbi Isidor Chemelwitz leads the burial of Sarah Ironson, an immigrant Jewish woman. The Rabbi's eulogy reflects on the journeys and sacrifices of immigrants, noting that new generations forget their predecessors' struggles. He talks about the ongoing movement of souls and the creation of new worlds, setting a tone of historical importance and the search for belonging. This scene immediately establishes the play's themes of heritage, displacement, and the American experience, while also introducing a sense of the spiritual and the passage of time.

  2. A Diagnosis and a Revelation

    Prior Walter, a young gay man in New York City, tells his boyfriend, Louis Ironson, that he has AIDS. Prior describes the Kaposi's Sarcoma lesions on his body, a sign of his declining health. Louis, scared and worried about commitment and suffering, struggles to process the news. He says he loves Prior but also that he is very uncomfortable with sickness and death, suggesting he cannot provide the care Prior will need. This conversation reveals the emotional and ethical challenges facing gay couples during the AIDS epidemic.

  3. The Mormon Marriage and Political Ambition

    Joe Pitt, a conservative, closeted gay Mormon lawyer, gets a job offer at the Justice Department from his mentor, Roy Cohn. Cohn is a powerful, right-wing, and also closeted lawyer. Joe hesitates, worried about leaving his wife, Harper, who relies on Valium and has vivid hallucinations. Harper, feeling ignored and alone, expresses her worries about their marriage and her feeling of a 'hole' inside Joe. This scene introduces the hidden lives and moral compromises within conservative America, contrasting with Prior and Louis's more open, though struggling, relationship.

  4. Louis's Guilt and Prior's Isolation

    As Prior's condition worsens, Louis finds he cannot handle the physical and emotional demands of his illness. He tells his friend Belize, a former drag queen and Prior's ex-lover, about his guilt and his growing wish to leave Prior. Belize, practical and loyal to Prior, criticizes Louis for feeling sorry for himself. Meanwhile, Prior's symptoms, like fevers and night sweats, get worse, and he starts to hear a voice. He also sees the ghost of Emily, a nurse, further blurring the line between reality and hallucination, suggesting a spiritual side to his suffering.

  5. Roy Cohn's Diagnosis and Denial

    Roy Cohn, despite his strong anti-gay views, is diagnosed with AIDS. He immediately uses his influence to make his doctor record his illness as liver cancer, a diagnosis with less social stigma that lets him keep his public image. Roy's denial and manipulation show his ruthless character and the widespread homophobia of the era, even among those secretly affected. His talk with his doctor reveals his deep fear of being seen as weak or gay, even as his body fails him.

  6. A Shared Hallucination

    In a remarkable and surreal scene, Prior Walter and Harper Pitt, though they have never met in reality, encounter each other in a shared hallucination. Prior, delirious with fever, and Harper, under the influence of Valium, find themselves in a fantastical, icy landscape. They discuss their partners' abandonment — Louis's emotional withdrawal and Joe's emotional distance — and their feelings of being left behind. This shared vision goes beyond physical boundaries, showing their similar struggles with illness, loneliness, and their loved ones' unfaithfulness, suggesting a deeper, connected spiritual reality.

  7. Louis and Joe's Fateful Meeting

    Louis Ironson, trying to escape his guilt and Prior's illness, goes to a park. There, he meets Joe Pitt, who is dealing with his own conflicts about his sexuality and his failing marriage. They start talking, first about legal matters, but quickly a strong mutual attraction becomes clear. Louis is drawn to Joe's stability and honesty, while Joe is captivated by Louis's intelligence and openness. This meeting begins a dangerous and morally unclear affair that will deeply affect everyone involved, further complicating the already tangled relationships.

  8. The Angel's First Visit

    As Prior Walter's illness progresses, his visions get stronger. A magnificent and terrifying Angel visits him in his bedroom, crashing through his ceiling. The Angel, a multi-winged, celestial being, announces that Prior is a prophet chosen to deliver a message to humanity. This dramatic event marks a significant change, pushing Prior into a spiritual journey that goes beyond his physical suffering and personal troubles. The Angel's arrival confirms the play's supernatural elements and introduces a larger, cosmic conflict into the story.

  9. Roy's Manipulation and Ethel's Ghost

    Roy Cohn, despite his worsening health, stays politically active and manipulative, even trying to get Joe Pitt a position in Washington D.C. He continues to ruthlessly use his power, even from his hospital bed. Meanwhile, the ghost of Ethel Rosenberg, whom Roy famously helped prosecute and send to the electric chair, starts to appear to him. Ethel's presence constantly reminds Roy of his past wrongs and his moral decay, acting as a spectral conscience and hinting at his eventual reckoning. Her appearance emphasizes the theme of historical justice.

  10. Harper's Flight and the Antarctic

    Overwhelmed by her husband Joe's emotional distance, his increasing absences, and her own deep sense of isolation and despair, Harper Pitt decides to leave. Her departure is not just physical but a retreat into her hallucinatory world. She imagines herself flying to Antarctica, a desolate and frozen landscape that reflects her inner emotional state. This symbolic journey shows her desperate attempt to escape her painful reality and her unhappy marriage, highlighting her fragile mental state and her desire for a place where she can feel truly safe or simply not feel at all.

  11. The Second Angelic Visitation and Prior's Fear

    The Angel returns to Prior Walter with a more forceful and detailed message. She explains that God has left Heaven, and humanity, in its constant search for progress and change, has driven Him away. The Angel tells Prior to stop human migration and progress, to end the constant striving for newness, and to return to a static, unchanging state. Prior, terrified and overwhelmed by the size of this prophecy and the Angel's power, struggles to understand or accept his divine mission. His fear and confusion highlight the burden of prophecy and the overwhelming nature of the supernatural.

  12. Joe and Louis's Affair Deepens

    Joe Pitt and Louis Ironson's affair deepens, moving from stolen moments to a more established, though still secret, relationship. They spend time together, discussing politics, philosophy, and their personal lives. Louis finds intellectual stimulation and emotional connection with Joe, a sharp contrast to his strained relationship with Prior. Joe, for his part, begins to face his long-suppressed homosexuality, finding liberation and self-acceptance with Louis. However, their illicit relationship is built on deceit and betrayal, creating guilt and future heartache for all involved.

  13. Belize's Loyalty and Practicality

    Belize, always the practical and loyal friend, continues to care for Prior Walter, giving him emotional support and practical help as Louis withdraws. He visits Prior, listens to his increasingly fantastical stories about angels, and offers comfort. Belize also confronts Louis directly about leaving Prior, showing his disgust and disappointment. He acts as a moral guide, grounding the play in the harsh realities of AIDS care and challenging Louis's intellectualizing and self-serving justifications. Belize's steady friendship shows the importance of chosen family and compassion.

  14. Prior's Growing Acceptance of His Role

    Despite his initial terror and disbelief, Prior Walter slowly starts to accept his prophetic calling. The Angel's visits become more frequent and insistent, and Prior's connection to the spiritual world deepens. He grapples with the weight of the message he is meant to deliver and its implications for humanity. This acceptance comes with fear, but a sense of purpose begins to emerge amid his suffering. Prior's journey from a man with AIDS to a hesitant prophet highlights the play's exploration of faith, destiny, and finding meaning in suffering.

  15. The End of Millennium Approaches

    The first part of 'Angels in America' ends with a powerful and dramatic final visit from the Angel. She descends upon Prior Walter with immense force, tearing through the ceiling of his apartment. Her presence is overwhelming, both terrifying and awe-inspiring. She clearly commands Prior to 'receive the Great Work' and to prepare for his role as a prophet. The scene ends with Prior screaming in a mix of fear, pain, and perhaps a dawning understanding of the immense responsibility placed on him, leaving the audience ready for the unfolding of 'Perestroika' and the results of his new divine mission.

Principal Figures

Prior Walter

Protagonist

A gay man living with AIDS who becomes a reluctant prophet.

Prior Walter is a sensitive, witty, and often sarcastic gay man whose life is irrevocably altered by his AIDS diagnosis. He is initially portrayed as vulnerable and physically deteriorating, struggling with the emotional and physical toll of his illness and the abandonment by his lover, Louis. Prior possesses a keen sense of history and a connection to his ancestors, which foreshadows his later spiritual experiences. Despite his suffering, he maintains a mordant humor and a deep capacity for empathy. His journey transforms him from a victim of circumstance into a figure of profound spiritual significance.

Relationships: Louis Ironson (Boyfriend who abandons him due to fear of AIDS.); Belize (Ex-lover and loyal, supportive friend.); The Angel (Celestial messenger who designates him a prophet.)

Louis Ironson

Protagonist/Antagonist

Prior's intellectual but morally conflicted boyfriend who abandons him.

Louis Ironson is Prior's intellectual, verbose, and deeply conflicted boyfriend. He is a Jewish liberal who grapples with profound philosophical and political anxieties, often using his intellect to rationalize his morally questionable actions. Louis is terrified by Prior's illness, unable to cope with the reality of sickness and death, leading him to abandon Prior. He seeks solace in anonymous sex and later begins an affair with Joe Pitt. Louis is driven by a desire for justice and intellectual engagement, yet is paralyzed by his own fear and inability to commit to profound suffering, making him both sympathetic and deeply flawed.

Relationships: Prior Walter (Boyfriend whom he abandons; deep love mixed with fear.); Belize (Friend and moral antagonist.); Joe Pitt (Lover, with whom he has a complex, illicit affair.)

Joe Pitt

Protagonist

A closeted gay Mormon lawyer struggling with his identity.

Joe Pitt is a clean-cut, conservative, and deeply closeted gay Mormon lawyer from Utah, living in New York. He is a man of strong moral principles and religious conviction, but these values clash violently with his suppressed homosexuality. Joe is intensely loyal to his wife, Harper, but emotionally unavailable to her due to his internal conflict. He is ambitious, drawn to the power and influence offered by Roy Cohn, yet also deeply ethical. His journey involves a painful awakening to his true sexual identity, forcing him to confront the hypocrisy and self-denial of his life.

Relationships: Harper Pitt (Wife, whom he loves but cannot be fully intimate with.); Roy Cohn (Mentor, who exploits Joe's ambition.); Louis Ironson (Lover, who helps him confront his sexuality.)

Harper Pitt

Protagonist

Joe's Valium-addicted wife, prone to vivid hallucinations.

Harper Pitt is Joe's wife, a fragile and intelligent woman suffering from Valium addiction and severe anxiety. She experiences vivid, often prophetic, hallucinations, which serve as an escape from her painful reality and a means of understanding the truths her husband cannot articulate. Harper feels neglected and senses a 'hole' within Joe, a metaphor for his closeted homosexuality. She longs for connection and stability but finds herself increasingly isolated. Her fantastical inner world provides both a refuge and a source of profound, if sometimes confusing, insight into the play's larger themes.

Relationships: Joe Pitt (Husband, whose emotional distance fuels her despair.); Prior Walter (Shares a hallucinatory connection with him.)

Roy Cohn

Antagonist

A powerful, closeted gay lawyer and manipulative political figure.

Roy Cohn is a ruthless, amoral, and immensely powerful lawyer, based on the real-life figure. He is a self-proclaimed 'heterosexual' despite being a closeted gay man, vehemently denying his identity even after being diagnosed with AIDS. Roy embodies the corrupting influence of power and self-interest, manipulating the legal and political systems for personal gain. He is a mentor to Joe Pitt, seeing in him a younger version of his own ambition. Roy is driven by a profound need for control and a terrifying refusal to be defined by others, especially by the label of 'gay.'

Relationships: Joe Pitt (Mentee, whom he tries to mold and exploit.); Ethel Rosenberg (Ghostly nemesis, a symbol of his past transgressions.)

Belize

Supporting

A former drag queen and Prior's loyal friend and ex-lover.

Belize is a Black, former drag queen, registered nurse, and Prior Walter's ex-lover and steadfast friend. He is pragmatic, witty, and possesses a sharp moral compass. Belize is fiercely loyal to Prior, providing him with practical care and emotional support when Louis abandons him. He is unafraid to confront Louis about his moral failings and offers a grounded, compassionate perspective amidst the play's more ethereal elements. Belize serves as a voice of reason and a symbol of unwavering friendship and resilience in the face of suffering.

Relationships: Prior Walter (Ex-lover and deeply loyal friend.); Louis Ironson (Friend, but often morally opposed to Louis's actions.)

The Angel

Supernatural

A celestial messenger who proclaims Prior a prophet.

The Angel is a magnificent, terrifying, and multi-winged celestial being who crashes through Prior Walter's ceiling. She is a messenger from Heaven, tasked with appointing Prior as a prophet to deliver a message to humanity. The Angel represents a divine, cosmic force, embodying both awe and terror. Her pronouncements reveal a Heaven abandoned by God and a desperate plea for humanity to cease its relentless progress and migration. She is a powerful catalyst for Prior's spiritual journey, introducing the play's most overt supernatural and theological themes.

Relationships: Prior Walter (Designates him as a prophet.)

Ethel Rosenberg

Ghost/Supporting

The ghost of the woman Roy Cohn helped prosecute, haunting him.

Ethel Rosenberg is the ghost of the American woman executed for espionage, whom Roy Cohn famously helped prosecute. She appears to Roy as his health deteriorates, serving as a spectral figure of judgment and historical reckoning. Ethel is calm, observant, and often takes notes, symbolizing the historical record and the inescapable consequences of Roy's actions. Her presence is a constant reminder of Roy's past and foreshadows his eventual demise, acting as his silent, inescapable tormentor and a symbol of justice, however delayed.

Relationships: Roy Cohn (His spectral accuser and tormentor.)

Rabbi Isidor Chemelwitz

Mentioned/Symbolic

A rabbi who delivers a eulogy on migration and history.

Rabbi Isidor Chemelwitz is the elderly rabbi who officiates at the funeral of Sarah Ironson in the opening scene. His eulogy is a profound reflection on the history of Jewish migration, the sacrifices of ancestors, and the continuous search for belonging and meaning. He embodies tradition, memory, and the weight of history, establishing key themes of the play from its very beginning. Though a minor character in terms of stage time, his words set a foundational tone for the entire narrative, linking personal suffering to larger historical and spiritual movements.

Themes & Insights

AIDS and the Crisis of the 1980s

The AIDS epidemic is the main historical and social setting of the play, causing much of the personal drama and suffering. It appears in Prior Walter's physical decline, the fear and abandonment he experiences from Louis, and Roy Cohn's desperate attempts to deny his own diagnosis due to homophobia. The disease is not just a medical condition but a cause for moral and existential crises, forcing characters to confront death, love, and social stigma. It shows the inadequate societal response and the deep isolation faced by those affected, as seen in Prior's growing loneliness.

“You can't just make a disease, Prior, it's not like a... a sweater.”
Louis Ironson

Identity and Self-Acceptance

This theme explores how characters struggle to balance who they truly are with what society expects and what they want. Joe Pitt shows this by fighting his closeted homosexuality against his Mormon faith and conservative politics. Roy Cohn, despite his power, strongly denies being gay, even as AIDS destroys his body, showing the damaging effect of internalized homophobia. Prior Walter, in contrast, is open about his identity, but his illness makes him redefine himself beyond social labels, leading to his spiritual change. The play argues that self-acceptance is necessary, no matter how painful.

“I'm a homo, Louis. That's the one thing I am.”
Joe Pitt

Love, Betrayal, and Abandonment

The play deeply examines the complexities of human relationships, especially under stress. Louis Ironson leaving Prior Walter because of his fear of AIDS is a central act of betrayal, showing how fragile love is when faced with severe illness. Harper Pitt feels abandoned by Joe's emotional distance and his hidden sexuality, leading her to retreat into hallucination. Conversely, Belize's steady loyalty to Prior shows deep friendship and chosen family. These intertwined stories explore the deep pain of being left behind and the moral dilemmas of personal survival versus lasting commitment.

“I can't. I can't. I'm too scared. I'm so scared, Prior. I'm so scared.”
Louis Ironson

Religion, Spirituality, and Prophecy

Beyond its social commentary, the play delves into spiritual questions. Prior Walter's journey from an AIDS patient to a hesitant prophet, visited by an Angel, introduces a supernatural element. The Angel's message about God abandoning Heaven and humanity's constant 'migration' challenges traditional religious beliefs and raises questions about faith, divine purpose, and existence. Joe Pitt's Mormon faith provides a framework for his moral struggle, while the ghost of Ethel Rosenberg suggests historical and spiritual justice. The play explores how people find meaning and connection to something larger than themselves in times of crisis.

“Greetings, Prophet; The Great Work begins: The Messenger has arrived.”
The Angel

Politics, Power, and Corruption

The political setting of 1980s America, especially the Reagan era, is a crucial background. Roy Cohn represents the corrupting influence of power, using his legal and political connections to manipulate the system and deny his own identity. His ruthlessness shows the moral decay at the heart of certain political structures. The play critiques the government's indifference to the AIDS crisis and the widespread homophobia in society. Characters like Louis engage in political discussions, reflecting the era's ideological battles, while Joe's ambition pulls him into this morally compromised world.

“I am not a homosexual. I'm a heterosexual man, Henry, but I have sex with men.”
Roy Cohn

Plot Devices & Literary Techniques

Hallucinations and Visions

Characters experience shared and individual unrealities, blurring lines between sanity and prophecy.

Hallucinations and visions are a central device, particularly for Harper Pitt and Prior Walter. Harper's Valium-induced visions allow her to escape her painful reality and offer symbolic insights into her marriage, often connecting her to Prior. Prior's feverish visions and later, direct visitations from the Angel, serve to introduce the supernatural elements of the play, transforming his illness into a prophetic calling. These devices allow the play to explore psychological states, spiritual awakening, and the porous boundary between the mundane and the miraculous, often revealing deeper truths than conventional reality.

Supernatural Elements (Angels, Ghosts)

Celestial beings and spirits directly intervene or appear, grounding the play in magical realism.

The introduction of angels and ghosts moves the play beyond pure realism into the realm of magical realism and fantasy. The Angel's dramatic appearances to Prior Walter directly advance the plot by designating him a prophet and revealing a cosmic crisis. Ethel Rosenberg's ghost serves as a constant, haunting reminder of Roy Cohn's past transgressions and a symbol of historical justice. These supernatural elements elevate the characters' personal struggles to a grander, more universal, and theological scale, suggesting that human suffering and moral choices have echoes in the spiritual world.

Parallel Storylines and Intersecting Fates

Multiple, initially separate narratives converge, revealing interconnectedness.

The play employs several parallel storylines – Prior and Louis, Joe and Harper, Roy Cohn's decline – which initially seem distinct but gradually intersect. The shared hallucination between Prior and Harper, Louis and Joe's affair, and Roy's mentorship of Joe are key points of convergence. This device emphasizes the interconnectedness of individual lives and destinies within a broader societal context. It allows for the exploration of contrasting experiences (e.g., open vs. closeted gay men, different responses to illness) while ultimately demonstrating how seemingly disparate lives are woven into a complex tapestry of shared human experience and historical moment.

Monologues and Direct Address

Characters often speak directly to the audience, revealing inner thoughts and breaking the fourth wall.

Characters frequently deliver extended monologues or directly address the audience, breaking the fourth wall. This device allows for deep psychological exploration, revealing the characters' innermost fears, desires, and philosophical musings without the filter of dialogue. Louis Ironson, in particular, uses monologues to rationalize his actions and express his anxieties. This technique creates intimacy between the character and the audience, inviting the audience to act as confessor or confidante, and provides crucial insights into motivations that might otherwise remain opaque, enriching the play's thematic complexity.

Millennium Approaches Quotes

“The world is about to end.”
Prior Walter, in the early stages of his AIDS diagnosis, speaking with his lover Louis.
“I hate America, Louis. I hate this country. It's just big, it's empty, it's full of… nothin'.”
Prior Walter, expressing his disillusionment with America.
“In this world, there is a kind of painful progress. Longing for what we've left behind, and dreaming of what's to come.”
The Angel, delivering her prophecy to Prior.
“You can't imagine, can you, what it's like to be a prophet.”
Roy Cohn, speaking to his doctor, alluding to his own perceived power and influence.
“History is about to crack wide open.”
The Angel, announcing the imminent changes to the world.
“We are not angels. We are people. We make mistakes. We hurt each other.”
Louis Ironson, trying to explain his actions and failings to Prior.
“The great work begins.”
The Angel, after Prior has accepted his role as a prophet.
“I just want to be loved.”
Joe Pitt, confessing his deepest desire to Louis.
“The world only spins forward.”
Hannah Pitt, expressing her pragmatic view of life and change.
“It's the end of the world. What do you want, a happy ending?”
Prior Walter, with a touch of dark humor, reflecting on his situation.
“There are no angels in America, no angels at all.”
Roy Cohn, asserting his cynical view of the world.
“You can't stop the future, but you can change it.”
The Angel, giving Prior a sense of agency despite the impending changes.
“Imagination is the only weapon in the war against reality.”
Belize, offering a philosophical perspective on coping with hardship.
“We live in a time of transformation.”
Rabbi Chemelwitz, delivering a eulogy, reflecting on historical change.

Quiz

10 questions on the plot and the characters. Each answer comes with a short explanation.

  1. Question 1

    Which character is diagnosed with AIDS at the beginning of 'Millennium Approaches'?

    1. Joe Pitt
    2. Louis Ironson
    3. Prior Walter
    4. Roy Cohn
    Show answer

    C. Prior Walter Prior Walter is diagnosed with AIDS early in the play, leading to much of the central conflict and his visions.

  2. Question 2

    What is Louis Ironson's profession?

    1. Lawyer
    2. Clerk for a judge
    3. Doctor
    4. Real estate agent
    Show answer

    B. Clerk for a judge Louis works as a clerk for a judge, which is mentioned when he discusses his legal and political views.

  3. Question 3

    Which historical figure does Roy Cohn claim to have connections with and influence over?

    1. Ronald Reagan
    2. Richard Nixon
    3. George H.W. Bush
    4. Joseph McCarthy
    Show answer

    B. Richard Nixon Roy Cohn famously served as chief counsel to Senator Joseph McCarthy during the McCarthy hearings in the 1950s, a detail he often references.

  4. Question 4

    What significant event occurs to Prior Walter at the very end of 'Millennium Approaches'?

    1. He receives a miracle cure for AIDS.
    2. He is visited by an Angel who crashes through his ceiling.
    3. He reconciles with Louis.
    4. He moves to Salt Lake City with Joe.
    Show answer

    B. He is visited by an Angel who crashes through his ceiling. The play concludes with the spectacular entrance of the Angel, who declares Prior a prophet.

  5. Question 5

    What is Harper Pitt addicted to?

    1. Alcohol
    2. Tranquilizers (Valium)
    3. Cocaine
    4. Nicotine
    Show answer

    B. Tranquilizers (Valium) Harper frequently takes Valium to cope with her anxieties and hallucinations, a recurring motif in her scenes.

  6. Question 6

    Which character identifies as a Mormon and struggles with his sexuality?

    1. Prior Walter
    2. Louis Ironson
    3. Joe Pitt
    4. Roy Cohn
    Show answer

    C. Joe Pitt Joe Pitt is a devout Mormon who wrestles deeply with his closeted homosexuality throughout the play.

  7. Question 7

    What is the primary reason Louis Ironson gives for abandoning Prior Walter?

    1. He falls in love with Harper Pitt.
    2. He is unable to cope with Prior's illness and the demands of caregiving.
    3. He is offered a job in another city.
    4. He discovers Prior has been unfaithful.
    Show answer

    B. He is unable to cope with Prior's illness and the demands of caregiving. Louis explicitly states his inability to handle the emotional and physical burden of Prior's severe illness, leading to his departure.

  8. Question 8

    Roy Cohn vehemently denies that he is what, despite evidence to the contrary?

    1. A lawyer
    2. A Republican
    3. Gay
    4. Sick with AIDS
    Show answer

    C. Gay Roy Cohn insists he is not gay, even as he secretly lives a homosexual life, claiming 'homosexuals are men who know nobody and who have nothing'.

  9. Question 9

    What is the significance of the character of Ethel Rosenberg in 'Millennium Approaches'?

    1. She is a hallucination of Prior Walter, giving him advice.
    2. She is the ghost of a woman Roy Cohn helped to prosecute and have executed.
    3. She is a nurse who cares for Roy Cohn.
    4. She is Harper Pitt's mother, offering comfort.
    Show answer

    B. She is the ghost of a woman Roy Cohn helped to prosecute and have executed. Ethel Rosenberg appears as a ghost to Roy Cohn, haunting him due to his role in her execution for espionage.

  10. Question 10

    Which of the following themes is NOT central to 'Millennium Approaches'?

    1. The AIDS epidemic and its impact
    2. The struggle for racial equality in the 1980s
    3. Homosexuality and societal prejudice
    4. Faith, doubt, and the nature of prophecy
    Show answer

    B. The struggle for racial equality in the 1980s While the play touches on various social issues, racial equality is not a central or explicitly explored theme in 'Millennium Approaches' compared to AIDS, homosexuality, and spirituality.

Millennium Approaches FAQ

What is the central conflict driving the plot of 'Millennium Approaches'?

'Millennium Approaches' centers on the unraveling relationships and personal crises of its characters against the backdrop of the AIDS epidemic in 1980s America. The primary conflict is Louis Ironson's inability to cope with his lover Prior Walter's AIDS diagnosis, leading him to abandon Prior, while Roy Cohn grapples with his own secret AIDS diagnosis and impending disbarment.

Who are the main characters introduced in 'Millennium Approaches'?

The main characters include Prior Walter, a gay man living with AIDS; Louis Ironson, Prior's guilt-ridden lover; Joe Pitt, a closeted gay Mormon lawyer; Harper Pitt, Joe's Valium-addicted, hallucinating wife; Roy Cohn, a powerful, closeted gay lawyer dying of AIDS; Belize, Prior's friend and Louis's former lover; and Hannah Pitt, Joe's stoic Mormon mother who moves to New York.

How does the play introduce the supernatural elements?

Supernatural elements are introduced gradually, primarily through Prior Walter's increasingly vivid hallucinations and dreams, culminating in the appearance of the Angel at the end of Part One. Harper Pitt also experiences prophetic hallucinations, and the ghost of Ethel Rosenberg frequently visits Roy Cohn.

What is the significance of the title 'Millennium Approaches'?

The title signifies a period of profound change and impending crisis, both personal and societal, mirroring the characters' experiences with AIDS, political shifts, and spiritual awakenings. It suggests a cataclysmic shift in the American consciousness and the dawn of a new, uncertain era.

What role does the character of Roy Cohn play in the larger narrative?

Roy Cohn serves as a symbolic figure representing the corrupt, hypocritical, and self-serving aspects of American power and politics, particularly during the Reagan era. His denial of his homosexuality and AIDS diagnosis, despite his immense influence, highlights the era's deep-seated prejudices and the devastating personal cost of societal repression.

Are there any subtle foreshadowing moments regarding Prior's 'prophet' status?

Yes, Prior frequently experiences strange visions and hears voices even before the Angel's dramatic appearance, hinting at his unique connection to the spiritual realm. His recurring dreams of a 'great Work' and his ancestral lineage of 'Prior Walters' who saw things prepare the audience for his eventual role as a reluctant prophet.

What is the significance of the multiple roles played by actors in the production?

The doubling of roles, such as the actor playing both Louis and Joe's father, or the actor playing both Prior's ancestor and the Angel, emphasizes thematic connections and the interconnectedness of seemingly disparate characters and ideas. It suggests a shared humanity and the cyclical nature of history and personal struggles.

How does the play subtly link the personal struggles of characters to broader political issues?

The play constantly intertwines the personal and political; for example, Roy Cohn's legal battles and political maneuvering are directly juxtaposed with his private struggle with AIDS and his hidden sexuality. Similarly, Louis's intellectual debates about social responsibility reflect the broader societal anxieties and political inaction surrounding the AIDS crisis.

What is the symbolic meaning behind Harper Pitt's hallucinations?

Harper's hallucinations, particularly her visions of Antarctica and the ozone layer, symbolize her profound alienation, the decay of her marriage, and a broader environmental and spiritual malaise affecting humanity. They also serve as a form of precognition, allowing her to perceive truths about her husband and the world that are hidden from others.

Analyze Louis Ironson's psychological state throughout 'Millennium Approaches'.

Louis is plagued by profound guilt, intellectual self-justification, and a deep-seated fear of illness and death, which manifest as an inability to care for Prior. He grapples with his Jewish identity and a desire for moral purity, yet repeatedly fails his loved ones, revealing a significant disconnect between his lofty ideals and his actions.

How does Prior Walter's illness impact his sense of identity and spirituality?

Prior's AIDS diagnosis strips him of his physical health and forces him into a profound spiritual crisis, yet it also opens him up to mystical experiences. His illness makes him feel abandoned and broken, but it paradoxically makes him a conduit for divine communication, challenging his previous secular worldview and forcing him to confront mortality.

Discuss the psychological motivations behind Joe Pitt's denial of his sexuality.

Joe Pitt's denial stems from deeply ingrained religious beliefs, societal pressures, and a desire to uphold a perceived moral and familial ideal. His Mormon upbringing and his professional ambition as a conservative lawyer create immense internal conflict, leading him to suppress his true desires and causing significant distress to himself and Harper.

What is the psychological significance of Roy Cohn's repeated assertion that he has 'liver cancer' and not AIDS?

Roy Cohn's insistence on 'liver cancer' is a psychological defense mechanism against the stigma associated with AIDS, which he equates with homosexuality, a identity he fiercely rejects. It allows him to maintain his self-image as a powerful, heterosexual man, even as his body betrays him, reflecting profound internalized homophobia and denial.

How does the play explore the theme of abandonment?

Abandonment is a pervasive theme, most notably seen in Louis abandoning Prior due to his fear of AIDS, and Joe abandoning Harper as he grapples with his sexuality. Prior feels abandoned by God, and Harper feels abandoned by reality, highlighting the emotional devastation caused by personal and societal failures of care and connection.

In what ways does 'Millennium Approaches' critique American society in the 1980s?

The play critiques the Reagan administration's neglect of the AIDS crisis, the pervasive homophobia, and the moral hypocrisy of powerful figures like Roy Cohn. It also examines the erosion of community, the failure of traditional institutions, and the disillusionment with the American Dream, portraying a society in spiritual and moral decline.

What is the role of humor in a play dealing with such dark and serious themes?

Humor, often dark and satirical, serves multiple functions: it provides emotional relief, highlights the absurdity of human behavior and societal conventions, and sharpens the critique of political and social injustices. It allows the audience to engage with difficult subjects without being overwhelmed, making the tragedy more poignant.

How does the play use the concept of 'prophecy' beyond Prior's immediate experience?

Prophecy extends beyond Prior to Harper's visions and even the historical echoes present in the play, suggesting that certain truths about humanity and the future are always being revealed, albeit often ignored. It implies a collective unconscious seeking meaning and a warning about the consequences of societal inaction and moral decay.

Is the Angel's arrival at the end of Part One a moment of hope or terror?

The Angel's arrival is ambiguous, simultaneously terrifying and potentially hopeful. While it signifies a profound supernatural intervention and validates Prior's experiences, the Angel's violent entry and the pronouncement of a 'Great Work' also suggest immense, overwhelming change and a burden placed upon Prior, making its ultimate meaning unclear.

Discuss the play's exploration of faith and doubt.

Faith and doubt are central, with characters like Prior losing faith in God and humanity due to his illness, while Hannah Pitt embodies steadfast, if rigid, Mormon faith. Louis grapples with intellectual doubt versus a longing for spiritual meaning, and Joe struggles with his faith in the face of his true identity, illustrating a complex spiritual landscape.

About the author

Tony Kushner

Tony Kushner

Tony Kushner is an American playwright and screenwriter known for his significant contributions to contemporary theater. He is best known for his two-part play "Angels in America," which includes "Millennium Approaches" and "Perestroika," exploring themes of politics, identity, and the AIDS crisis. Kushner's work has received numerous awards, including the Pulitzer Prize for Drama.

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